<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 11/1/01 12:35:51 PM Central Standard Time, Richard.Brekne@grieg.uib.no (Richard Brekne) writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">it is a matter of the most obvious that the type of
<BR>key colour HT enthusiasts are talking about is inherently different then that
<BR>found in different ET keys.
<BR>
<BR>In ET, intervals and chords get tenser and tenser as you progress up the
<BR>keyboard... Keys then have this same general tendency. In circle of 5ths
<BR>arrangements HT's do something very much different, progressive sequences of
<BR>intervals and chords behave in an entirely different fashion. This lies, in
<BR>part, at the heart of the key colour difference and really is not anything
<BR>anyone can doubt or bring into question.
<BR>
<BR>ET has its kind of key colour... HT's have a different sort altogether.
<BR></BLOCKQUOTE></FONT><FONT COLOR="#000000" SIZE=3 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR>Truer and wiser words were never written. Thanks, Richard, you saved me some time.
<BR>
<BR></FONT><FONT COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Bill Bremmer RPT
<BR>Madison, Wisconsin</FONT></HTML>