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<DIV><FONT face=Arial size=2>When a dealer I serviced took on the =
Bosenorfer
line, the rep. told us the reason for the low C on the Imperial was to =
satisfy a
request by a composer that was transposing on organ piece that used this =
note.
It improved the sound of the bass so well that Bosendorfer continued to =
use
it.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>Paul Chick</FONT></DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:pianobuilders@olynet.com"
title=pianobuilders@olynet.com>Delwin D Fandrich</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, November 03, =
2001 2:52
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: 89 note =
scale</DIV>
<DIV><BR></DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000080 2px solid; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:Wimblees@AOL.COM"
title=Wimblees@AOL.COM>Wimblees@AOL.COM</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> November 02, 2001 12:27 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: 89 note =
scale</DIV>
<DIV><BR></DIV>
<DIV><FONT face=arial,helvetica><FONT size=2>The concept of =
adding another
string, or strings, beyond A0, is to give more length bridge. That =
is the
reason behind Bosendorfer's extra notes in the bass. Sure, it's =
impressive
to have those added notes, but how many people actually play them?
From what I was told, by adding more notes to the bass, it =
pushed the
last octave, A0 - A1, closer to the middle of the soundboard, where =
it could
produce a bigger and more defined sound. <BR><BR>Wim
<HR>
</FONT></FONT></DIV></BLOCKQUOTE>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT color=#000080>Yes, I've heard that as well, but I don't =
believe it.
Surely the designer can put the bridge any place he/she wants it to =
be. If you
want the lowest notes to cross the bridge closer to the middle of =
the
soundboard, simply put them there. And if it is desirable for the =
bridge to be
longer then just make it longer. There is no need to put strings on =
it.
</FONT></DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<DIV><FONT color=#000080>No, I expect the extra notes were added =
because some
composer or performer wanted them. Once that first piano was designed =
and
built it would have been relatively easy to continue building it. And =
why not?
It's great marketing even if of little practical value -- =
a</FONT><FONT
color=#000080>lthough I imagine there were pianists like Oscar =
Peterson around
back then as well.</FONT></DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<DIV><FONT color=#000080>Del</FONT></DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<DIV><FONT color=#000080></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial =
size=2></FONT> </DIV></BLOCKQUOTE></BODY></HTML>