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David A -<br>
First, too many Davids on this thread.<br>
Second, I sent my last post on this subject just before seeing
yours.<br><br>
I don't think anyone is disagreeing on the necessity of a practical
approach to the conditions we work in, nor the need to deal with people
in a mature, respectful manner. Nor do I dispute the mind's ability
to adapt and focus in adverse conditions. I said "is
stressful", you say "can be stressful". My point (I
think) is, what environment would you <b><i>choose</i></b> to work,
in? If you actually do your best work with background noise (a
radio playing, perhaps), there is no point in discussing how to go about
creating a quite environment. On the other hand, if a particular piano
is, in and of itself, difficult, why should I be expected to play mind
games with myself in order to avoid the, possibly unsuccessful personal
interaction, required to establish the space I need / want to
work? <br><br>
Lastly, I don't think I've said anything to reflect less than an open
mind, or, Who are you calling defensive! ? <br><br>
David Skolnik<br><br>
<br><br>
At 04:53 PM 11/13/2004 -0800, you wrote:<br>
<blockquote type=cite class=cite cite>> Trying to tune aurally through
noise is<br>
> stressful. <br>
Actually, CAN be stressful. Or can be a cool challenge, a focusing
device.<br>
> Do you mean to say that expecting a quiet environment to tune<br>
> makes one a Prima Dona?<br>
If you've made every effort not to intimidate, "bad-vibe," or
show anger to<br>
the people who are making noise, and instead approach them with respect
and<br>
explain why you want what you want. If that doesn't work, you just
keep<br>
moving, and tune through. Oddly some of my best, strongest aural
tunings<br>
have been at the NAMM show, or on stage with a LOT o' noise.<br>
It's all in your head, mate.<br><br>
>If that is your drift, I would take issue with<br>
> such a contention.<br><br>
Okay, but listen to the responses with an open mind.<br><br>
<br>
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