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<DIV><FONT face=Arial>I think Bill Spurlock mentions in his article to =
make sure
the grain is parallel with the long axis of the key. I used basswood on =
a set I
did recently. I know that is often used. Some suggest maple, but =
Spurlock
expressed some concern regarding potential noise with maple. Most =
True-Value
hardware stores or any decent hobby shop will have a variety of craft =
wood of
various species and thicknesses. MallWort might have it, but who would =
ever go
there (ever wonder why you don't have a crarft store =
nearby?)?</FONT></DIV>
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<DIV><FONT face=Arial></FONT> </DIV></DIV>
<DIV><FONT face=Arial>Terry Farrell</FONT></DIV>
<DIV><FONT face=Arial><BR><FONT =
size=2></FONT></FONT> </DIV><FONT
face=Arial size=2>> Hey! all you lovable piano technicians. =
<G><BR>>
<BR>> I'm doing the replacement repair ala Spurlock on the balance =
rail hole
and<BR>> was looking for the ideal wood to use.<BR>> <BR>> I =
can go
talk to an old friend who is a logger and has his own mill and =
get<BR>> some
nice tight grain Sugar Pine but I'm not sure if grain orientation =
is<BR>>
important. Plus it's work to reduce the stuff.<BR>> <BR>> The Bass =
wood
might be hard to find nearby. Wal-mart is the closest thing we<BR>> =
have to a
craft store. Would they have it?<BR>> <BR>> What I would like to =
do is cut
up some old keys I have. The grain is going<BR>> the right direction =
and the
width is already there. Or maybe some soundboard<BR>> ribs. A good
idea?<BR>> <BR>> Keith Roberts</FONT></BODY></HTML>