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SANSSERIF" FACE="Verdana" LANG="0">Tom,
<BR>
<BR>I've tuned one, and only one, and my experience was similar to yours. &n=
bsp;It had a really sweet sound, especially when tuned to 438(prescribed on =
the plate in factory letters) to a Broadwood's best temperament. My ba=
ck didn't hurt either. While the action wasn't up to modern standards(=
no abs-graphite in there...:-), it worked okay for simple stuff. All i=
n all, a rewarding experience.
<BR>
<BR>Glad to hear you enoyed it,
<BR>
<BR>Dave Stahl
<BR>
<BR>In a message dated 12/21/04 8:50:32 PM Pacific Standard Time, Tvak@aol.c=
om writes:
<BR>
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<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-=
LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">List
<BR>
<BR>Everything I know about tuning square grands I learned from what I've re=
ad here on the list. Never having done it, and having a fondness for t=
hings ancient, I read most of the posts about square grands. And from =
what I've read, it's something you would do only when faced with a firing sq=
uad. Why? Because your back will be sore for days afterwards fro=
m bending over the thing trying to reach the tuning pins and hit the key at =
the same time.
<BR>
<BR>Still...I was willing to have a sore back just to have the experience of=
working on one.
<BR>
<BR>Well, for those of you who haven't had the joy yet, let me say that it a=
in't necessarily so. I tuned my first square grand this week and it wa=
s fun. Yeah, I had to stretch a bit to reach the tuning pins but I use=
d my Schaff extension hammer and I really had to stand (or stoop over) the p=
iano only to reach the top octave. The other pins I could reach while =
sitting at the bench. (Stool, actually...)
<BR>
<BR>Maybe this was a small square, and thus was easier to reach the tuning p=
ins. Then again, maybe some people are just whiners.
<BR>
<BR>Maybe both!
<BR>
<BR>This square, a Hallet and Davis, was a charming piano with a quaint soun=
d. There were no trichords, even the steel treble strings were all bic=
hords, so the tuning went fast. There were a few bass wound bichords t=
hat were difficult (impossible) to tune a true unison on, but hey, I had the=
exact same experience with a Steinway 45" vertical today.
<BR>
<BR>Just thought I'd present a different viewpoint on the experience.
<BR>
<BR>Tom Sivak
<BR>Chicago PTG Associate
<BR>
<BR>P.S.
<BR>For the record, I'm 5'11", and am not built like an orangutan: my arm le=
ngth is proportional to my height! (Just thought I'd cut a couple of j=
okes in the bud.)</BLOCKQUOTE>
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