<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 9/10/01 7:44:05 PM Central Daylight Time,
<BR>RNossaman@KSCABLE.com writes:
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<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I wonder which expensive piano that might be that gets sent back through for
<BR>soundboard replacement when the problem is "discovered"? With such a fine QC
<BR>and recursive correction system in place, I surely must be imagining all
<BR>those
<BR>killer octaves, zero bearing, and negative crowned soundboards in all those
<BR>expensive pianos as well as in the cheap ones.
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<BR></FONT><FONT COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Ron
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<BR>Point well taken. But that opens up a whole new subject. Perhaps Del, or one
<BR>of the factory reps, can chime in on this. At what point does a manufacturer
<BR>say, "this isn't done right, lets do it again." There's got to be some QC. If
<BR>the engineering is done right, and the jigs make the parts the same way, how
<BR>come one piano has a great sound, and another, from the same line, same
<BR>factory, same people, is dead? What is the criteria in the factory for
<BR>replacing the board?
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<BR>Wim
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