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<DIV>
<DIV> David</DIV>
<DIV> I learned & tuned aurally 12 years before Norman Neble=
tt
introduced me to the Sight -0_-tuner with Nob pots in 1980. I passed my=
exams before I started using the machine & passed at examiner levels&nbs=
p;
& then when I incorporated the ETD with my aural protocols & could t=
hen
tune more pianos per day with less stress. ie. More money, happpier homies ,=
less
crabby me at 5:00 pm.</DIV>
<DIV> I love the ease & accuracy of the Sanderson pitc=
h
raise program.</DIV>
<DIV> Dave, this is so true. If everyone had the advantage of
learning aurally first & then changing to the ETD it can be s=
uch
an aid to get the piano stable quickly with out the expenditure of much Aura=
l
energy to gittir there. Then your finest motor & hearing ski=
lls
are fresher for the final fine tuning & as John said can make the machin=
e
hear the way he does.</DIV>
<DIV> Dale</DIV>
<DIV> </DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000
size=2><STRONG>The better your ears and body can tune, the better you'll=
be
able to use a<BR>tool like an ETD if you wish.</STRONG> The more you use y=
our
body, including your<BR>ears, as the greatest tool, and involve it in real=
ly,
really listening to<BR>the piano and FEELING the piano, the more you can h=
ear
the subtle nuances<BR>of tone and color that pianos can offer, and that gr=
eat
players &<BR>appreciators can hear.<BR><BR>David
Andersen</FONT></BLOCKQUOTE></DIV>
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