<HTML><FONT FACE=arial,helvetica><HTML><FONT SIZE=2 PTSIZE=10 FAMILY=
="SANSSERIF" FACE="Arial" LANG="0">In a message dated 3/6/2005 9:35:28=
AM Central Standard Time, fmurray@cruzio.com writes:<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT=
: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Paul Revenko-Jones' article on =
Agraffes was much appreciated. Thank you for a very detailed procedure on ho=
w to do a performance upgrade on agraffes old or new. I know this matters, o=
ne need only compare playing a guitar with worn frets against one with new p=
olished frets to understand how important this kind of string termination is=
.</FONT><FONT COLOR="#000000" BACK="#ffffff" style="BACKGROUND-COLOR:=
#ffffff" SIZE=3 PTSIZE=12 FAMILY="SANSSERIF" FACE="Arial" LANG="0=
"><BR>
</BLOCKQUOTE><BR>
</FONT><FONT COLOR="#000000" BACK="#ffffff" style="BACKGROUND-COLOR: =
#ffffff" SIZE=2 PTSIZE=10 FAMILY="SANSSERIF" FACE="Arial" LANG="0"=
><BR>
You're welcome. Just something else to fret about, eh? :-)<BR>
<BR>
PR-J</FONT></HTML>