<HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SERIF" FACE="Times New Roman" LANG="0"><I>In a message dated 9/7/2002 3:42:30 PM Pacific Daylight Time, bigda@gte.net writes:<BR>
</I><BR>
Dave Anderson wrote</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">As far as V-ing out the capo bar, you need to read what his protocol is, <BR>
and then try it on a piano.<BR>
We did, about 8 years ago, and the tonal change was so dramatic that <BR>
we've been doing it ever since with no problem or complaint or retweaking <BR>
necessary.<BR>
<BR>
Have a good weekend</BLOCKQUOTE><BR>
</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SERIF" FACE="Times New Roman" LANG="0"><BR>
Hi Dave -- for those of us who haven't read the book what is the prescribed procedure and how would you describe the tonal improvement?<BR>
Thanks>>>>Dale Erwin</FONT></HTML>