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<DIV><FONT face=Arial size=2><EM>"Renner USA is starting to produce =
a "Wurzen"
hammer that is somewhat different from the PB."</EM></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>David - what is PB?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>----- Original Message ----- </FONT>
<DIV><FONT face=Arial size=2>From: "David Love" <</FONT><A
href="mailto:davidlovepianos@comcast.net"><FONT face=Arial
size=2>davidlovepianos@comcast.net</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>To: "'Pianotech'" <</FONT><A
href="mailto:pianotech@ptg.org"><FONT face=Arial
size=2>pianotech@ptg.org</FONT></A><FONT face=Arial =
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>Sent: Sunday, December 18, 2005 2:07
PM</FONT></DIV>
<DIV><FONT face=Arial size=2>Subject: RE: Yamaha action with =
Steinway/European
hammers</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT =
face=Arial
size=2>>I would not characterize Ronsen as having a similar =
approach to
Steinway.<BR>> The unreinforced Bacon felt hammers bear little =
resemblance to
the<BR>> unreinforced Steinway hammers. While they are both on =
the soft
side, the<BR>> control of the pressing through the set is much better =
at
Ronsen and<BR>> produces a hammer that does not always need to be =
lacquered,
unlike it's<BR>> counterpart. As far as the Ronsen Wurzen's go, =
they
need little "building"<BR>> of tone. <BR>> <BR>> Renner =
USA is
starting to produce a "Wurzen" hammer that is somewhat<BR>> different =
from
the PB. Whether it is available for public comsumption or<BR>> =
not I
can't say. Wurzen does make different types of felt and it may =
be<BR>>
that Renner is using more than one type. <BR>> <BR>> David =
Love<BR>>
</FONT><A href="mailto:davidlovepianos@comcast.net"><FONT face=Arial =
size=2>davidlovepianos@comcast.net</FONT></A><FONT face=Arial =
size=2> <BR>>
<BR>> -----Original Message-----<BR>> From: </FONT><A
href="mailto:pianotech-bounces@ptg.org"><FONT face=Arial
size=2>pianotech-bounces@ptg.org</FONT></A><FONT face=Arial =
size=2>
[mailto:pianotech-bounces@ptg.org] On Behalf<BR>> Of Jeannie =
Grassi<BR>>
Sent: Sunday, December 18, 2005 9:59 AM<BR>> To: 'Pianotech'<BR>> =
Subject:
RE: Yamaha action with Steinway/European hammers<BR>> <BR>> I =
think it is
interesting that I have heard the term "Renner Würzens" used<BR>>
lately. Renner has always used Wurzen felt. Their hammers =
are the
same as<BR>> we have been accustomed to, but with the introduction of =
Wurzen
felt to the<BR>> Ronsen line, I think Renner has felt it necessary =
(no pun
intended) to make<BR>> it known that they are using the same =
felt.
<BR>> <BR>> I think what is more important than who is providing =
the felt,
is the way it<BR>> is used. Ric makes a good comparison. =
Ronsons
have always had a similar<BR>> approach to hammer-making as =
Steinway:
Hammers very soft initially, with<BR>> the tone built into the =
hammer.
Renners have always had the harder hammers<BR>> from their =
pressing.
Bottom line....if they sound good for a specific<BR>> =
application....use
them. Knowing which to use and when comes with<BR>> experience =
and
listening.<BR>> <BR>> Jeannie Grassi, RPT<BR>> Assistant =
Editor, Piano
Technicians Journal<BR>> </FONT><A =
href="mailto:jcgrassi@earthlink.net"><FONT
face=Arial size=2>mailto:jcgrassi@earthlink.net</FONT></A><BR><FONT =
face=Arial
size=2>> <BR>> -----Original Message-----<BR>> From: =
</FONT><A
href="mailto:pianotech-bounces@ptg.org"><FONT face=Arial
size=2>pianotech-bounces@ptg.org</FONT></A><FONT face=Arial =
size=2>
[mailto:pianotech-bounces@ptg.org] On Behalf<BR>> Of Ric =
Brekne<BR>> Sent:
Sunday, December 18, 2005 6:30 AM<BR>> To: pianotech<BR>> Subject: =
Yamaha
action with Steinway/European hammers<BR>> <BR>> Hi Brad<BR>> =
<BR>>
I just put a set of Renner (Europe) Wurzens on a C6. And the =
result is
<BR>> beautiful. Renner Wurzens are slightly harder then =
Ronsens I
<BR>> understand, and require just a little needling to open up the =
<BR>>
sound....perhaps just a bit of lacqure on the highest and lowest notes =
<BR>>
to bring up the power. I think the natural resiliency in the =
Wurzen
<BR>> felt has pretty much shown itself to be a very very desiable =
quality in
<BR>> hammers.<BR>> <BR>> btw... I also find that for most uses =
a
strike weight curve around the <BR>> top medium - 3/4 medium =
range
followed by a nice smoothing of the front <BR>> weights to match a 38 =
gram BW
yeilds an exceptional touch weight / <BR>> response combination when =
combined
with really good quality hammers and <BR>> voicing work.<BR>> =
<BR>> I
agree... the asian hammers I most often run into are very difficult to =
<BR>>
get a satisfactory (to me) voice out of. That said... new high end =
<BR>> Yamaha grands use Wurzen felt now I am told.<BR>> <BR>>
Cheers<BR>> <BR>> RicB<BR>> <BR>> <BR>> Question is, does =
anyone
have insights on the benefits of putting different<BR>> hammers (i.e. =
non
hard-pressed types) onto an<BR>> excellent Yamaha action? =
( I
love the precision of the Japanese/Yamaha,<BR>> but I also serve =
several
pianists who are dyed in the wool Steinway people.<BR>> who don't =
care for
the tone of Asian hammers, even after careful-balanced<BR>> =
voicing).<BR>>
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