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<DIV>> Agreed, as in Ron's .jpeg. That doesn't prevent the curved =
tenor end
<BR>> of the long bridge from showing up in the pianos from famous =
makers
<BR>> who should know better.
<DIV> </DIV>
<DIV><FONT color=#008080>Ah yes, but herein lies the nut of the =
matter. The
hockey stick end of a bridge would only present a complication if one =
were
trying to glue it to a new board. Regarding the long bridge, who says we =
must
put back what we take out (unless of course the owner dictates - but I =
would
argue that might be an indicator of the rebuilder's lack =
of salesmanship!)?
This is really for the Del F's and Ron N's of the world to comment =
on, but
I <EM><U>think</U></EM> that most pianos with a hockey stick low tenor =
will be
improved by rescaling and adding a transition bridge to carry the =
last five
or so notes that were previously on the low tenor end of the long
bridge.</FONT></DIV><FONT color=#008080></FONT></DIV>
<DIV><FONT color=#008080></FONT><FONT =
color=#008080></FONT> </DIV>
<DIV><FONT color=#008080>Terry Farrell</FONT></DIV>
<DIV> <SPAN id=__#Ath#SignaturePos__></SPAN> </DIV>
<DIV>----- Original Message -----
<DIV>From: "Bill Ballard" <<A
href="mailto:yardbird@vermontel.net">yardbird@vermontel.net</A>></DI=
V>
<DIV>To: "Pianotech" <<A
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>></DIV>
<DIV>Sent: Sunday, April 20, 2003 12:06 AM</DIV>
<DIV>Subject: Re: Curved Long Bridges</DIV></DIV>
<DIV><BR></DIV>
<DIV>> Ron, Terry,<BR>> <BR>> Thanks for straightening me =
out.<BR>>
<BR>> At 10:44 PM -0400 4/19/03, Farrell wrote:<BR>> >What on =
earth is
an oeile?<BR>> <BR>> As in trompe l'eoile, French for optical
illusion.<BR>> <BR>> >Most (I think likely all?) well designed =
piano
scales do not have <BR>> >any sort of a hockey stick curve at the =
tenor
end of the long <BR>> >bridge. It gets fairly straight in that =
area. The
curve to the <BR>> >bridge is in one direction only.<BR>> =
<BR>>
Agreed, as in Ron's .jpeg. That doesn't prevent the curved tenor end =
<BR>> of
the long bridge from showing up in the pianos from famous makers =
<BR>> who
should know better.</DIV>
<DIV> <BR>> >Put the pencil under the middle of the arc, and =
the mid
section of <BR>> >the arc lifts up, but the two ends remain in =
contact
with the <BR>> >surface of the table or whatever it was laying =
on.<BR>>
<BR>> Agreed. Transfer an arc created on the surface of a sphere to a =
plane
<BR>> and it will lay flat.<BR>> <BR>> >> I just =
got
finished realizing that any crown in a ribbed board is<BR>> =
>>
incidental, and not required for support of the string load.<BR>>
><BR>> >Where did this come from? The crown is usually designed =
in, not
incidental.<BR>> <BR>> My apologize to you both. I meant to say =
"crown
parallel to the grain <BR>> of the board".<BR>> <BR>> At 10:03 =
PM -0500
4/19/03, Ron Nossaman wrote:<BR>> >You're assessing all this from =
the
pathological example of your <BR>> >bridge sample. Go through it =
again
with the picture of the bridge I <BR>> >sent, and it will make =
more
sense.<BR>> <BR>> Just as you said. The original long bridge used =
as a
caul/form for my <BR>> lamination went into the wood stove long ago, =
so
there's now way of <BR>> telling whether my lamination has crept back =
straight of the last 25 <BR>> years. But as is, it is still =
straighter than
this Steinway O long <BR>> bridge which has a curve at each end, in =
opposite
directions. Which <BR>> begs the question, has anybody rescaled the =
Steinway
O (and all their <BR>> other scales which have this fault) to produce =
a
straight tenor end <BR>> of the long bridge?<BR>> <BR>> Thanks =
for not
leaving me out in the middle of the road. Once a Boy <BR>> Scout, =
always a
Boy Scout.<BR>> <BR>> Bill Ballard RPT<BR>> NH Chapter, =
P.T.G.<BR>>
<BR>> "May you work on interesting pianos."<BR>> =
...........Ancient Chinese Proverb<BR>> +++++++++++++++++++++<BR>> =
<BR>> _______________________________________________<BR>> =
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