<html>
<font size=3>OK, so that's a better explanation than my<br>
'flury o' fingers' idea but when playing in close,<br>
it is probably a little of each. <br>
<br>
It doesn't even have to be octaves, fifths will<br>
produce the same "close effect". Here's where we<br>
can actually give this phenomenomenomenmnennnnom<br>
a deffefinition or handel. (We can take these liberties with Susan on
vacation)<br>
<br>
My nomination for nomenclature is: the envelope please . . .<br>
<br>
Tied: Close Encounters and Fatal Attraction<br>
<br>
but seriously, something like . . .<br>
<br>
like . . .<br>
<br>
just can't put my finger on it . . .<br>
<br>
Any ideas?<br>
<br>
Jon Page<br>
<br>
PS Is the secluded retreat where the sock absconded to with all the
buttons,<br>
the same place where the dish and the spoon slipped away to?<br>
Actually, I find the cow and the moon thing a bit preposterous.<br>
<br>
At 07:35 PM 6/12/99 -0400, you wrote:<br>
>There is no riddle as to how the marks get there. When playing
octaves or<br>
>other very wide intervals spanned by thumb and little finger, the
hand is<br>
>positioned so that fingernails will gouge the fallboard. Try it
and see<br>
>what I mean.<br>
><br>
>Frank Weston<br>
><br>
>-----Original Message-----<br>
>From: Wimblees@AOL.COM <Wimblees@AOL.COM><br>
>To: pianotech@ptg.org <pianotech@ptg.org><br>
>Date: Saturday, June 12, 1999 9:19 AM<br>
>Subject: Re: The Missing Sock<br>
><br>
><br>
>>In a message dated 6/12/99 9:02:07 AM !!!First Boot!!!,
rrg@nevada.edu<br>
>writes:<br>
>><br>
>><< I was talking with a client who was wondering why
grand<br>
>> pianos sometimes develop wear marks on the fall board
above<br>
>> the keys. Admittedly I had no definitive answer. I'm
sure<br>
>> you have all notice this, particularly above the sharps.<br>
>> Sometimes the wear can be so bad that it can extends well<br>
>> into the wood. But then you have to stop and wonder
how<br>
>> they got there. For technical reasons you do not play
the<br>
>> piano that close to the fall board. In observing a
pianist<br>
>> playing I have never seen any kind of technique that would<br>
>> suggest a reason- even in aggressive playing.
Certainly<br>
>> there are other case parts on a piano that receive rougher<br>
>> treatment. Nevertheless somehow these wear marks
appear<br>
>> very defined and consistent. So here then is the
riddle:<br>
>> How do these marks get there? Is there a particular type
of<br>
>> maneuver required by the pianist? Is it avoidable? Can
you<br>
>> find the missing sock?<br>
>><br>
>> Rob Goodale, RPT<br>
>> >><br>
>><br>
>><br>
>>Very energetic players carve the fall board with their
fingernails. I had a<br>
>>customer who complained to me that I put the nail marks on her
piano when I<br>
>>tuned it. These gouges were so deep, it would have had to use a
chisel to<br>
>>carve them. I told her she did it. She didn't believe me. I then
asked her<br>
>to<br>
>>play some of her favorite music. Within 5 minutes she had hit the
fall<br>
>board<br>
>>a dozen times. It wasn't until I pointed it out to her that she
realized<br>
>she<br>
>>was doing it.<br>
>><br>
>>Willem Blees<br>
>><br>
> </font><br>
<br>
<div>Jon Page, Harwich Port, Cape Cod, Mass.
<a href="mailto:jpage@capecod.net" EUDORA=AUTOURL>mailto:jpage@capecod.net</a></div>
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