<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; = charset=iso-8859-1"> <META content="MSHTML 6.00.2900.2627" name=GENERATOR> <STYLE></STYLE> </HEAD> <BODY id=role_body style="FONT-SIZE: 12pt; COLOR: #000000; = FONT-FAMILY: Verdana" bottomMargin=7 bgColor=#d8d0c8 leftMargin=7 topMargin=7 = rightMargin=7> <DIV><FONT face="Verdana Ref" size=2>Most detailed info is in the docs:</FONT></DIV> <DIV><FONT face="Verdana Ref" size=2><A href="http://tunelab-world.com/downloads.html">http://tunelab-world.com= /downloads.html</A></FONT></DIV> <DIV><FONT face="Verdana Ref" size=2></FONT> </DIV> <DIV><FONT face="Verdana Ref" size=2>In TuneLab version 2 (either = pocket or laptop version; not 97), you simply select that option from the File = menu (to create a new split-scale mode).  Many other nice features in = version 2.</FONT></DIV> <DIV><FONT face="Verdana Ref" size=2></FONT> </DIV> <DIV><FONT face="Verdana Ref" size=2>In version 1, you have to = trigger it by a certain combination of inharmonicity readings: measure only one pair of = adjacent notes (at the biggest iH break, usually wound-to-plain), and measure at = least three notes below and above that pair.  It's in the Help for = TuneLab.  It really works pretty well.</FONT></DIV> <DIV><FONT face="Verdana Ref" size=2></FONT> </DIV> <DIV><FONT face="Verdana Ref" size=2>There are some hand-optimized = spinet tuning files on Robert's site, as well (on the Downloads link = above).</FONT></DIV> <DIV><FONT face="Verdana Ref" size=2></FONT> </DIV> <DIV><FONT face="Verdana Ref" size=2>There's a TuneLab users list on = Yahoo:</FONT></DIV> <DIV><A href="http://groups.yahoo.com/group/TuneLab_Users">http://groups.yahoo.= com/group/TuneLab_Users</A></DIV> <DIV><FONT face="Verdana Ref" size=2></FONT> </DIV> <DIV><FONT face="Verdana Ref" size=2>--Cy--</FONT><BR></DIV> <BLOCKQUOTE dir=ltr style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; = BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px"> <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV> <DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: = black"><B>From:</B> <A title=Piannaman@aol.com href="mailto:Piannaman@aol.com">Piannaman@aol.com</A> </DIV> <DIV style="FONT: 10pt arial"><B>To:</B> <A = title=pianotech@ptg.org href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV> <DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, May 04, 2005 = 9:26 AM</DIV> <DIV style="FONT: 10pt arial"><B>Subject:</B> Tune Lab Pocket = split-sclae mode...was re: Inharmonicity factors</DIV> <DIV><BR></DIV><FONT id=role_document face=Verdana color=#000000 = size=3> <DIV> <DIV>In a message dated 5/4/05 6:01:58 AM Pacific Daylight Time, <A = href="mailto:741662027@theshusters.org">741662027@theshusters.org</A> writes:</DIV> <BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px = solid"><FONT style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 = size=2>OK, that makes sense; smoothness in everything across the keyboard is = what <BR>we want.  With TuneLab, I measure iH across the wound/plain = string break to <BR>determine when to use it's "split-scale" mode.  = Robert suggests that more <BR>than a 20% jump in iH should trigger use of = this mode.<BR><BR>To my surprise, I found a big jump there on a 1983 = Yamaha U3, which I <BR>thought should have a pretty good scale (since it's so big).  Anything funny <BR>with this particular scale?  = (See attached screenshot of iH).<BR></FONT></BLOCKQUOTE></DIV> <DIV></DIV> <DIV>Cy,</DIV> <DIV> </DIV> <DIV>I have never used split-scale mode.  I don't even know how = to go there.  Where do I find = it?</DIV></BLOCKQUOTE></FONT></BODY></HTML>