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<BODY bgColor=#d8d0c8>I'm referring to discussions last year where it =
was argued
that it was<BR>impossible for wood as a material to support an arch, =
because
of<BR>cellular-level crushing ("compression set").&nbsp; I believe the =
counter
to this<BR>demonstration was to show how little pressure was required to =
push
down on<BR>the arch and collapse it.&nbsp; Therefore the wood alone =
wouldn't be
strong<BR>enough to support string downbearing (for example, the =
soundboard
compressed<BR>by the rim, without any ribs).<BR><BR>I don't mean to =
resurrect
the prior argument, but just as in any profession,<BR>it's difficult for =
a
student like me to try to figure out what "best<BR>practices"
are.<BR><BR>--Cy--<BR><BR>----- Original Message ----- <BR>From: "Avery =
Todd"
&lt;<A href="mailto:avery@ev1.net">avery@ev1.net</A>&gt;<BR>To: =
"Pianotech"
&lt;<A =
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>&gt;<BR>Sent:
Friday, May 28, 2004 7:56 PM<BR>Subject: Re: Practical Concert
Work<BR><BR><BR>&gt; Cy,<BR>&gt;<BR>&gt; Admitedley, I haven't read the =
article
yet but I don't understand what<BR>this<BR>&gt; means.<BR>&gt;<BR>&gt;
Avery<BR>&gt;<BR>&gt; &gt;The M &amp; H factory tour article mentions =
that the
factory technician did<BR>the<BR>&gt; &gt;old demo of a business card's =
extra
thickness forming an arch in a length<BR>of<BR>&gt; =
&gt;spruce...<BR>&gt;
&gt;<BR>&gt; &gt;--Cy Shuster--<BR>&gt; &gt;Bluefield, =
WV<BR>&gt;<BR>&gt;
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