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<DIV><FONT size=2>Thanks, Jerry -- that's what I thought was correct, =
that if
the fork is touching a resonator like wood then its own partials are
stronger.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>--Cy--</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=emailforjc@yahoo.com =
href="mailto:emailforjc@yahoo.com">Jerry
Cohen</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">'Pianotech'</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, August 19, 2004 =
10:20
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Setting pitch with =
a
fork</DIV>
<DIV><FONT size=2></FONT><BR></DIV>
<DIV class=Section1>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial">Cy,</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I have =
always used a
tuning fork, and I don’t seem to have a big problem holding it. Here =
is how I
do it.</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I hold the =
fork with
my thumb and 1<SUP>st</SUP> finger and strike it on my knee. =
With my
3<SUP>rd</SUP>, 4<SUP>th</SUP>, 5<SUP>th</SUP> fingers and the palm of =
my hand
on the end off the lever, I move the tuning pin while striking the =
note with
my other hand which is free. The trick is to hold the fork with 2 =
fingers
while moving the lever with the other fingers and palm. It’s not =
that hard and
the sound from the fork is pure and clear.</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I recall =
reading an
article which stated that the direct sound from a tuning fork produces =
almost
all fundamental and almost no harmonics, but if the same fork pressed =
against
something will produce more harmonics. Of course the harmonics forces =
us to
use the 2 oct. + maj. 3<SUP>rd</SUP> test. I find by listening =
directly to the
fork, the 2 oct. + maj 3<SUP>rd</SUP> is just a confirmation. Does =
this make
sense?</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Jerry
Cohen</SPAN></FONT></P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: =
Arial"></SPAN></FONT> </P>
<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">NJ
Chapter </SPAN></FONT></P></DIV></BLOCKQUOTE></BODY></HTML>