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Believe me, the test blow for the PTG tuning test is NOT a mf blow! :-)
<br><br>
Avery <br><br>
At 01:39 PM 10/26/04, you wrote:<br>
<blockquote type=cite class=cite cite="">Can we define our terms here
briefly.<br>
<br>
When I practice tuning, my instructor stresses to use a "hard test
blow". His hard test blow is an 'mf' (mezzo forte). I am
a trained pianist, and mezzo forte is not hard at all...but that is what
he refers to it as. If I should say to you play a 'hard test blow',
it would have to be an 'ff' (fortissimo) or above. For my very
first tuning exam, one of the things I was tested for the loudness of my
test blows. I was told to hit my test blow an 'mf', which I
did. Then I found out it was not hard enough for my
instructor. I found out when he tells me to play a good 'mf' test
blow, he really means a hard 'f' - 'ff' blow. I understand what he
means now, and I just go with it.<br>
<br>
Matthew<br><br>
<b><i>Quentin Codevelle <quentin.codevelle@tiscali.fr></i></b>
wrote:<br>
<dl>
<dd><font face="arial" size=2>I asked my yam teacher who is a concert tech (of course) if he had enough stability with soft blows even with "heavy hands".<br>
<dd>He told me there was no problem at all, like andre says, it is the tuning technique that seems to make the difference.<br>
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<dd> <br>
<dd><font face="arial" size=2>I went to a concert prep with him, I watched everything that was done to the piano, included tuning (with soft blows).<br>
<dd>The unisons did not move during the concert (at least it was not noticeable).<br>
<dd>Of course the D that was prepared for this concert was very stable, because it is exclusively serviced by the same tech.<br>
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<dd> <br>
<dd><font face="arial" size=2>Should we say that trusting our habit of making a final hard blow just to test the stability (taught by most tuning teachers, but not mine) reveals we have some improvements to do on our tuning technique?<br>
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<dd> <br>
<dd><font face="arial" size=2>for my case, I changed my tuning technique really early because I've been aware of this really early, but I imagine this must be difficult for experienced tuners who have been tuning with the same method for years.<br>
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<dd> <br>
<dd><font face="arial" size=2>I think it is difficult to get a regularity, eveness with this "way of tuning" but the result worths it.<br>
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<dd> <br>
<dd><font face="arial" size=2>Eveness in hitting the key+good tuning technique= Eveness in the tone .<br>
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<dd> <br>
<dd><font face="arial" size=2>This seems to be the right equation here.<br>
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<dd> <br>
<dd><font face="arial" size=2>Quentin.<br>
</font><br>
</dl><br><br>
Matthew Todd<br>
Todd Piano Works<br>
Piano Tuner/Technician<br>
Tuning - Repairing - Regulating<br><br>
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