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<font size=3>At 04:52 PM 5/22/99 -0400, you wrote:<br>
>After reading the comments about the Steinway hammer rail cloth, I
have a <br>
>question. Several of you substitute sandpaper for the cloth
used by <br>
>Steinway. Why do you do that? But first, why does
Steinway use the cloth?<br>
><br>
>With Steinways propensity for doing everything to the n'th degree, I
have a <br>
>theory why they use cloth. I don't know if I am right, but I am
sure some of <br>
>you will tell me. <br>
><br>
>I think the reason they use cloth is to keep the action quieter.
Because the <br>
>hammer rail is brass, when the hammer hits the string, the impact
will <br>
>resound through the hammer shank flange to the rail. The cloth acts
as a <br>
>buffer on that impact. If you leave the cloth off, or replace
it with a hard <br>
>material, even something like sandpaper, the impact will travel
through the <br>
>hard material, and reverberate.<br>
><br>
>Any one care to discuss this? <br>
><br>
>Willem Blees RPT<br>
>St. Louis<br>
> <br>
<br>
I thought that also until I realized that the impact noise will be
transmitted<br>
via the screw to the rail. Sandpaper makes spacing more compliant.<br>
As to why does S&S use cloth - tradition.<br>
<br>
Why else would they be still using those awful moulded rails in the first
place?<br>
<br>
</font><br>
<br>
<div>Jon Page, Harwich Port, Cape Cod, Mass.
<a href="mailto:jpage@capecod.net" EUDORA=AUTOURL>mailto:jpage@capecod.net</a></div>
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