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This was my original query. Very interesting comparison you made.
I have
<br>a friend who plays fiddle in a party band. This band has been together
for
<br>about 40 years. Great reputation in our city and surrounding area.
At this time,
<br>much of their work is in Casinos. A coup;le of performances ago,
I was at a
<br>concert and enjoying it a lot The fiddle player , who is
also the front man, doing
<br>the MC - ing, was playing a fiddle that sounded great.
<br>I know he has two fiddles on stage , plugged in and ready to go. He
broke an
<br>E string one time, and walked straight over to the back and picked
up this other fiddle.
<br>I think he missed, maybe, an eighth note during this process.(?) ,
but I didn't like the new
<br>sound, as it was quite bassy. Next day I asked him about that, and
he said that nobody ever
<br>asked about that , even the guys in the band. Well because there was
such a huge
<br>difference in sound, I imagined that there might be that difference
with a Strad. Not having
<br>heard one, or at least not aware of it, it's always been on my mind.
Is the difference only
<br>percieved by people who do what we do, and musicians, or is the difference
big enough
<br>to be noticed by people not involved as we are. Mechanics hear things
in cars that most
<br>people who drive them, don't. You mention that this Strad. was
much louder. I'm curious
<br>as to whether there are other differences , also. Pianists often
require voicing to be done
<br>to hammers because they are producing too bright a sound for their
liking. Is this necessary
<br>for the audience, or is this just for the pianist ???? I know that
if an instrument sounds and feels good,
<br>it can make playing easier and sometimes better. A clean car seems
to run better. Hope this isn't
<br>considered off topic.
<p>Carl / Winnipeg
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<p>Tvak@aol.com wrote:
<blockquote TYPE=CITE>
<br><font face="Geneva"><font color="#000000"><font size=-1>In a message
dated 12/14/03 10:53:48 PM, koko99@shaw.ca writes:</font></font></font>
<br>
<br>
<blockquote CITE STYLE="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE="CITE"><font face="Geneva"><font color="#000000"><font size=-1>Wondering
if anyone out there has been fortunate enough to have heard</font></font></font>
<br><font face="Geneva"><font color="#000000"><font size=-1>a Strad. live,
and close-up, and could describe the differences in sound</font></font></font>
<br><font face="Geneva"><font color="#000000"><font size=-1>quality.</font></font></font></blockquote>
<p><font face="Geneva"><font color="#000000"><font size=-1>In the orchestra
pit at the local theater where I used to conduct, one of the violinists
who subbed on the show had a Strad. I was not aware that it was a
Strad and commented to him on the HUGE sound this violin put out.
Being a small pit orchestra, 6 musicians total, it was easy to hear this
vast difference. I couldn't comment on the tone itself. He
was an excellent violinist, with good intonation and expressiveness.
I'm sure that part of the sound generated by the instrument was due to
his playing. Yet, the size of the sound, whether playing piano or
fortissimo, was so different than any other violin I ever heard.
(The regular violinist in the pit played an Amati.)</font></font></font>
<p><font face="Geneva"><font color="#000000"><font size=-1>Tom Sivak</font></font></font></blockquote>
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