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<DIV>You may have to use a single needle to get started. Sometimes the=
hammer is just too hard to get those little pitchforks in there.</DIV>
<DIV> </DIV>
<DIV>I always do a light sanding with 600 grit paper before going to
needles. I do a few shoe-shine strokes with a hammer-width strip=
to
soften the surface(some people use finer paper, some rougher).
This smooths the surface and usually evens out the tone to a
degree.</DIV>
<DIV> </DIV>
<DIV>I've learned a lot about voicing from this list. Mostly what I've=
learned is how much I don't know about it and how much less I knew befo=
re
that. Many shades of gray in this area...</DIV>
<DIV> </DIV>
<DIV>Dave Stahl</DIV>
<DIV> </DIV>
<DIV>In a message dated 2/27/2006 2:56:19 P.M. Pacific Standard Time,
ilvey@sbcglobal.net writes:</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000
size=2>John,<BR><BR>You said this was newer...1 year old or so? &nb=
sp;
Personally, I'd go through and check the density in the shoulders. &n=
bsp;
Can you get a needle in at 11:00 am and 1:00 pm...;-]???<BR>You probably n=
eed
to consider 30 some stitches on each shoulder...all around where it's
hard. You have to have some resiliency in the shoulders or you=
will never get good tone for any length of time...<BR><BR>David Ilvedson,
RPT<BR>Pacifica, California<BR><BR><BR><BR>----- Original message
----------------------------------------<BR>From: "John Dorr"
<a440@bresnan.net><BR>To: pianotech@ptg.org<BR>Received: 2/27/2006
1:56:55 PM<BR>Subject: Bridge notch anomaly morphing into
voicing<BR><BR><BR><BR>>List,<BR><BR>>I'd like to thank everyone for=
their thoughtful posts. I've printed them all <BR>>out and I've
learned from all of your responses, even those that didn't read <BR>>th=
e
post that carefully! <G> [As far as that goes, I probably
shouldn't have <BR>>written the word "zingy"; a better descriptor might=
have been "nasal".]<BR><BR>>I'll be revisiting that piano soon and tryi=
ng
my hand at some more voicing. <BR>> The client is a friend of mine, and=
she
called me over and said a different <BR>>note sounded "out of tune", wh=
ich
really wasn't. The unisons were solid and <BR>>the note checked o=
ut
aurally every way I knew to test. But the hammers are so <BR>>har=
d
that when I soften one or more slightly, another neighbor pokes its
<BR>>"nose" in there, sounding harsh by the NEW comparison. The p=
iano
has a nice <BR>>clear, somewhat bright tone in its nicest notes, but th=
e
ones that are <BR>>annoying remind me of the worst of the Young Changs,=
if
that makes any sense. <BR>> (Not all Young Changs are that way, of cour=
se,
but the ones that need help <BR>>sound "nasal" to me.)<BR><BR>>Maybe=
you
voicers out there could give me a few ideas on how to approach this
<BR>>circumspectly. Start with string leveling/hammer mating and
string seating? <BR>> Steam? (how to?) Right to the needles? =
;
Pick an octave, dial in a few notes, <BR>>learn from there and spread t=
he
treatment?<BR><BR>>I'm going to do this one for free because she's a fr=
iend
of mine and I don't <BR>>expect to "beat flat rate" (as we used to refe=
r to
it when I was an auto <BR>>mechanic!) I just want to put my foot =
in
the waters gently and learn without <BR>>doing anything that's irrevers=
ibly
tragic!<BR><BR>>You guys are great. Thanks again.<BR><BR>>John=
Dorr, RPT2B (lol)<BR>>Helena, MT<BR></FONT></BLOCKQUOTE></DIV>
<DIV></DIV></DIV>
<DIV> </DIV>
<DIV><FONT lang=0 face=Arial size=2 FAMILY="SANSSERIF" PTSIZE="10"=
>Dave
Stahl<BR><BR>Dave Stahl Piano Service<BR>650-224-3560<U><BR><A
href="http://www.dstahlpiano.net/">http://dstahlpiano.net/</A></U></FONT><=
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