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<br>
<font size=3>AMEN JON<br>
<br>
<br>
><br>
>Chances are that the hammers were soft to begin with, or voiced
properly <br>
>and always produced this sound.<br>
><br>
>The strident, brilliant, glass-breaking tonal qualities of modern
hammers <br>
>do not produce this sound.<br>
>Modern taste has developed a linear tonal preference, maybe due to
the <br>
>increasing digital/electronic presence.<br>
><br>
>Thirty years ago, a piano teacher stated it best, "Those Asian
pianos sound <br>
>like their language."<br>
>Take that for what it's worth but that is what I think is what we're
<br>
>contending with, high piercing sound.<br>
><br>
>The last S&S sold from my shop was due to the fact that it was
warm and <br>
>melodic/romantic; not the<br>
>piercing, ear-shattering tones which everyone has become accustomed
to <br>
>while competing with Asian pianos.<br>
>After trying different ones in the 'Big City', this piano was a
welcome <br>
>oasis to the players.<br>
><br>
>Brighter is not better.<br>
><br>
><br>
><br>
>Regards,<br>
><br>
>Jon Page, piano technician<br>
>Harwich Port, Cape Cod, Mass.<br>
><a href="mailto:jonpage@attbi.com" eudora="autourl"><font size=3>mailto:jonpage@attbi.com</a><br>
<font size=3>>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<br>
> </font><br>
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