<HTML><FONT FACE=arial,helvetica><FONT COLOR="#000040" SIZE=3 FAMILY="SERIF" FACE="Times New Roman Greek" LANG="0"><I>In a message dated 5/2/2002 9:07:11 AM Pacific Standard Time, RNossaman@KSCABLE.com writes:<BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Subj:<B>Re: Curve on Bridge Bottom </B><BR>
Date:5/2/2002 9:07:11 AM Pacific Standard Time<BR>
From:<A HREF="mailto:RNossaman@KSCABLE.com">RNossaman@KSCABLE.com</A></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
<I>Sent from the Internet </I><BR>
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> >>>>>>>>>>>At this point I'm not convinced thats all there is to it. In a<BR>
free<BR>
> state the board is straight along the grain and in the example above I stated<BR>
> that. I have glued boards into rims with no bevel in the rasten and no curve<BR>
> in bridge bottom (Hardman & Weber) or in the rim and these did not form but a<BR>
> smidge of this crown along the bridge line. How do I explain this?<BR>
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Where's the rest of the information? Stiffness of the ribs, stiffness of the<BR>
panel, crown heights, etc. There are still a whole lot of possibilities here<BR>
other than bevel and bridge crown, all of which would affect the long crown. If<BR>
the rim was indeed on a plane (same height all around), and you had nearly no<BR>
crown along the grain after installation, then you had nearly no crown along<BR>
the ribs either. How do you explain that? <BR>
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<BR>
><BR>
> >>>>Don't foget though that the treble and bass ends usually need some<BR>
> coaxing down at the ends which is also allowing the longer ribs to have more<BR>
> of the effect you stated above.<BR>
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I didn't forget it. This is what I'm talking about. I said up front that<BR>
forcing the board down on the rim forces the long crown to form. <BR>
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> In this case it seemed even more so. If the rim were to be simply cut<BR>
> slightly different, asending a bit so to match boards perimeter at that tail<BR>
> then this effect would not occur and there would be no or nomminal crown<BR>
> along the bridge line.<BR>
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It would take a little more than slightly different, but yes. Why would you<BR>
want to, and do you know of any piano where this was done? What has this to do<BR>
with crowned bridges?<BR>
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><BR>
> >>>>>>>> What I think would be of interest would be to attempt to measure any<BR>
> residual crown along the grain after the bearing goes on as Terry suggested.<BR>
> I think a thread could be pulled across the top of the board under the<BR>
> strings and then make some allowance for the top being thinned. Perhaps a<BR>
> comparison of that dimension with the rib compression too would be of<BR>
> interest. <BR>
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Since the rim plane and rib crown define this long crown, how can there be<BR>
anything but a direct correlation? <BR>
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><BR>
> What would that tells us? Hey I don't know I'm not the expert just a casual<BR>
> observer.<BR>
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Me too. I don't like the term "expert". To me it means someone who quit<BR>
learning many years ago when they had their shirt stuffed. Let's avoid experts<BR>
as much as possible and work this stuff out with our own brain cell(s).<BR>
<BR>
<BR>
><BR>
> Back to the salt mines<BR>
>><BR>
>> >>>>>>>>>>>>>>>>>Dale>>>>>>>>>>>>>>>>>>>>>>>>>><BR>
><BR>
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Me too two.<BR>
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Ron </BLOCKQUOTE><BR>
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