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<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2>I
should say that indeed downbearing is not indispensable, but on most =
pianos,
front bearing particularly produce a more pleasing (fuller)
tone.</FONT></SPAN></DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2>Bearing being not discernable after the strings have been =
installed, it
is often confused with "distance bearing" which indeed is the proof that =
some
pressure exist when it is seen, but on some pianos the soundboard look =
flat
after the strings have been tense (while down bearing exist absorbed by =
the
soundboard) . </FONT></SPAN></DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2>All
depend of the kind of ribbing and construction used (flat ribbing vs. =
crowned
ribbing). Most German made pianos are using flat ribs and are very =
sensitive to
humidity changes when the soundboard is in good condition, so the go out =
of tune
easily in that case. these instruments need less down bearing than the =
ones
which are using crowned ribbing (Bösendorfer for =
instance).</FONT></SPAN></DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2>The
flat ribbing method "is said" to produce stiffer soundboard assembly, =
while
curved ribs need to be pressured more to obtain the necessary stiffness. =
That is
what I have understood, very crudely I confess, from the different =
conversations on those matters.</FONT></SPAN></DIV>
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size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2>Bonne
Année !</FONT></SPAN></DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
size=2>Isaac</FONT></SPAN></DIV>
<DIV><SPAN class=264561616-31122003><FONT face=Arial color=#0000ff =
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<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Message d'origine-----<BR><B>De :</B>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org]<B>De la =
part
de</B> Jean-Jacques Granas<BR><B>Envoyé :</B> mercredi 31 =
décembre 2003
16:10<BR><B>À :</B> pianotech@ptg.org<BR><B>Objet :</B> No =
downbearing ?<BR><BR></FONT></DIV>
<DIV><FONT face=Arial size=2>Hello y'all and tout le =
monde,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I have come across a puzzling =
suggestion a few
weeks ago: Namely, that downbearing is not really necessary in order =
to
transfer the vibration of the string to the soundboard panel, the mere =
"grip"
that the string has on the bridge being sufficient to assure this =
transfer.
Would anyone of you with experience in such issues care to comment?
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Happy New Year everybody</FONT></DIV>
<DIV><FONT face=Arial size=2>Wishing you all wonderful =
crowns, tight
pins, and fautless repetition, </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Jean-Jacques Granas</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
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