<HTML><HEAD> <META http-equiv=Content-Type= content=text/html;charset=ISO-8859-1></HEAD> <BODY text=#000000 bgColor=#ffffff>Good enough...and your right I= haven't been following the List that closely.   So, do= you use an ETD at any time in your tunings?  = David Ilvedson <DIV style="PADDING-RIGHT: 5px; PADDING-LEFT: 5px;= PADDING-BOTTOM: 5px; BORDER-LEFT: #000000 3px solid;= PADDING-TOP: 5px"> <HR> Original message From: Richard Brekne= <RICHARD.BREKNE@GRIEG.UIB.NO> To: Newtonburg= <PIANOTECH@PTG.ORG> Received: Sat, 05 Feb 2005 23:24:36= +0100 Subject: aint what I signed up for <BLOCKQUOTE> <DIV align=left><PRE>Well, now we've got a skilled aural tuner= who now uses a ETD and his ear, i.e. he has experience both, and= we have you who tune by ear only. (I believe?) Don't you think= you should be investigating the potential of ETDs in improving= you tuning? Maybe you think it can't be improved? David Ilvedson </PRE></DIV></BLOCKQUOTE>David. If you believe I have= no experience with ETD's then I have to ask how closely you've= been reading this list and for how long.  I am on record= as one of the most adamant supporters of ETD usage, and am= responsible for <<discovering>> the P-12th tuning on= Tunelab 97, which Bernhard claims to be the origional= discoverer of in a far more theoretical treatise on the subject= some 15 or so years back. I have Dr. Jim Colemans personal= congratuations on the idea, publicized on this list. There are a= hand full of folks around the globe who have persued the= positive  useage of ETDs more then myself. That enthusiasm= does not require of me however, to be blind to viable= concerns that present themselves. = Cheers RicB <PRE></PRE></DIV><= /BODY></HTML>