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<DIV> Horace</DIV>
<DIV> Thanks & it's exciting when something seemingly
as innocuous as a front punching can take a piano to a complete other l=
evel
of performance both in tone & touch. I find these subtle yet
perceptible but important improvements a way for piano
technicians to give a value added product in ones restoration. These types o=
f
innovations better able us/me to compete
with <STRONG><U>ANY</U></STRONG> new brand of piano at any
price.</DIV>
<DIV> Hats off to Andre for his innovations as well as many othe=
rs
on list. We/you/me/all are the R&D dept in the piano world these days.</=
DIV>
<DIV> <STRONG><U> "Buy restored/Rebuilt. Its a better
piano"</U></STRONG></DIV>
<DIV> cheers</DIV>
<DIV> Dale</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=
=2>Hi,
Dale, <BR><BR>This is very important information. I've used either
Yamaha or Bosendorfer FR punching's for years for precisely the reasons yo=
u
enumerate here. The bottom line is that, if the key height and dip a=
re
not at least reasonably solid, nothing else in the regulation is going to =
work
properly. Slow repetition, lack of control throughout the dynamic
range...I especially like your term: "lack of focus"...right on
target!<BR><BR>Thanks for posting these results to the
list.<BR><BR>Best.<BR><BR>Horace</FONT></BLOCKQUOTE></DIV>
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