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Grin.. I see you are finnally moving on to phase 2 in your understanding
of the deeper innerworkings of piano acoustics :):)
<p>Goncratulations and welcome to the "Most everything you've ever been
told about pianos is most likely BS club"
<p>RicB
<p>Farrell wrote:
<blockquote TYPE=CITE> <font face="Arial">So, let's see. What is the
moral of this story? If you have a 1/4-inch reverse crown Steinway soundboard,
or a Baldwin with "the most pronounced compression ridges I have ever seen
in a one-year old grand of alleged repute", or any one or more of a number
of maladies that might afflict a new piano - consider yourself LUCKY -
it might actually be a one-of-a-kind gem - in fact, it probably is. Remember
- "every piano is unique". I wonder if they also get birth certificates?</font> <font face="Arial">Terry
Farrell</font></blockquote>
<p>Richard Brekne
<br>RPT, N.P.T.F.
<br>UiB, Bergen, Norway
<br><A HREF="mailto:rbrekne@broadpark.no">mailto:rbrekne@broadpark.no</A>
<br><A HREF="http://home.broadpark.no/~rbrekne/ricmain.html">http://home.broadpark.no/~rbrekne/ricmain.html</A>
<br><A HREF="http://www.hf.uib.no/grieg/personer/cv_RB.html">http://www.hf.uib.no/grieg/personer/cv_RB.html</A>
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