<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; =
charset=iso-8859-1">
<META content="MSHTML 5.50.4134.600" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT face="Comic Sans MS" color=#000080></FONT> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000080 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=Richard.Brekne@grieg.uib.no
href="mailto:Richard.Brekne@grieg.uib.no">Richard Brekne</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> November 24, 2002 2:36 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: S&S D =
Duplex</DIV>
<DIV><BR></DIV>Hi Del...
<P>I think I understand what you mean here. Basically you are saying =
that if
you use flat ribs, whatever crown you end up with is more or less a =
measure of
how much internal compression the panel is under. Otherwise there =
would have
to be a difference between flat ribbed / flat cauled and flat ribbed / =
curved
cauled.... or what ?
<P>So please indulge me for a bit so'st I can perhaps get this right.. =
all
this goes to the flat rib / dished caul variant of Compression =
crowning.
Follow along and tell me where / if I hop off the wagon. <BR>
<BLOCKQUOTE>
<DIV>--If you start off with just a panel in a dished caul and push =
it
down... then you have a panel thats tensioned on its outside and =
compressed
on its inside.</DIV></BLOCKQUOTE>
<DIV><FONT face="Comic Sans MS" color=#000080>In theory, yes. =
there will be
some slight amount of tension on the outside of the curve. Keep in =
mind,
though, that in a practical soundboard the radius of this curve is =
quite large
(relative to the thickness of the soundboard panel) and the amount of =
tension
will be very slight.</FONT></DIV>
<DIV><FONT face="Comic Sans MS" color=#000080></FONT> </DIV>
<BLOCKQUOTE>
<DIV>--Push in a few ribs and the sides of the ribs that meet the =
panel are
tensioned.</DIV></BLOCKQUOTE>
<DIV><FONT face="Comic Sans MS" color=#000080>Yes. The top (or =
front) of the
rib will be under some tension and the bottom (or back) of the rib =
will be
under some compression. How much tension and compression will depend =
on the
height of the rib and the radius of the curve.</FONT></DIV>
<DIV><FONT face="Comic Sans MS" color=#000080></FONT> </DIV>
<BLOCKQUOTE>
<DIV>--If panel and ribs are glued thus and allowed to dry, all =
stays
unchanged as long as the thing is in the caul. But when you take it =
out then
the whole thing wants to try and return to its flat state but cant. =
The
compressed underside of the panel and the tensed sides of the ribs =
work
against each other being glued tight as it were.</DIV></BLOCKQUOTE>
<DIV><FONT face="Comic Sans MS" color=#000080>So far, so good. A =
stress
interface develops between the soundboard panel and the ribs at the
glueline.</FONT></DIV>
<DIV><FONT face="Comic Sans MS" color=#000080></FONT> </DIV>
<BLOCKQUOTE>
<DIV>--What does happen tho is that it returns about half way and =
you have
some crown already before taking on any humidity, and the inside of =
the
panel is less compressed then it was in the caul, the outside less =
tense,
and the ribs less less tense.</DIV>
<DIV><FONT face="Comic Sans MS" =
color=#000080></FONT> </DIV></BLOCKQUOTE>
<DIV><FONT face="Comic Sans MS" color=#000080>And now we're on the =
edge of the
wagon getting ready to hop. Actually, we're probably already on the =
bunny
trail. I would question that the outside of the soundboard panel would =
be just
'less tense.' Even at this point it is almost certainly under some =
amount of
compression. </FONT></DIV>
<DIV><FONT face="Comic Sans MS" color=#000080></FONT> </DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
<DIV>Let the panel take on humidity.. </DIV></BLOCKQUOTE>
<BLOCKQUOTE>
<DIV>--and the compression on the underside of the panel increases, =
the
tension on the ribs increases... </DIV>
<DIV>--and the top side of the panel... hmmm.. its still under some =
degree
of tension if I am correct up to this point. So at some point enough =
humdity
will put the top side under compression.</DIV></BLOCKQUOTE>
<P><FONT face="Comic Sans MS" color=#000080>Ah, now we're =
definitely hopping
on down the bunny trail. And we're not alone out here. For some reason =
this
seems to be a point of confusion with many. </FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>As the panel becomes =
compressed to
the point it is able to develop a glueline stress interface sufficient =
to form
or even maintain crown the whole panel is going to be under =
compression. And,
as it takes on moisture sufficient to increase that crown the amount =
of
compression is going to increase. And this increase is evident through =
the
entire panel, not just the surface nearest the ribs.</FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>Keep in mind that =
amount of wood
cell compression required to generate the amount of force -- the =
stress
interface -- necessary to bend a set of flat ribs into a crown radius =
of 18 m
(approx. 60') is considerable. There are a lot of variables but it's =
going to
be something over 1% to 2%. </FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>Now it doesn't matter =
to the wood
if this compression comes as a result of being placed in a vice and =
squeezed
or if it comes as a result of developed internal compression through =
the
mechanism of being dried (shrunk), restrained (ribbed and brought =
back to
some higher MC (expanded). Hence if a soundboard panel starting out =
at, say,
1,000 mm across grain, is put in a vice and squeezed -- compressed -- =
by 1% it
is going to end up being only 990 mm wide. If by 2% it will be 980 mm =
wide.
</FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>Or if a panel is =
stabilized at 4%
MC and cut to a width of 1,000 mm and then taken back up to 12% it is =
going to
expand to somewhere around 1,015 mm to 1,020 mm (yes, I've done the
experiment). That's an expansion of about 1.5% to 2.0%. Now, if you =
dry this
panel back down to 4% (shrink it), put it into a fixture that will not =
allow
it to physically expand, and then take it back up to 12% MC, it =
will
still be 1,000 mm wide (the fixture sees to that) but it will now have =
a
considerable amount of internal compression. Something on the order of =
1.5% to
2.0%. At least it will for a while. Since wood cells were only =
designed to
tolerate compression levels up to about 1.0% they will quickly begin =
to
fail.</FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>So, what happens if =
this panel is
dried to a MC of 4% and bent in to a set of realistic curved cauls =
(let's
stick with our 18 m radius). Yes, the outside surface will stretch by =
some
small amount and place this surface in tension. Probably by some =
fraction of
1% -- I'm guessing here, but (assuming a soundboard of 8 mm thickness) =
I'd be
surprised if the stretch (and tension) was much more than 0.01% . And =
the
bottom surface will compress by about the same small amount. In other =
words,
the top surface might want to stretch by about 0.1 mm and the bottom =
might
want to compress by about 0.1 mm. </FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>Now with a set of =
flat ribs
glued to the back of this panel restricting its expansion as =
the
panel takes on moisture all of this would-be expansion turns into =
compression.
And here is where we hopped out of the wagon: The amount of =
compression
developed will be substantially more than is needed to neutralize that =
slight
amount of tension and turn it into compression. What you will end up =
with is a
panel with, for example (and using my admittedly hypothetical =
numbers), 1.49%
compression on its top (outside) surface and 1.51% compression on its =
inside
surface. But the whole panel will definitely be under compression. And =
when
the compression ridges develop they will develop all the way through =
the
panel, top to bottom and bottom to top.</FONT></P>
<P><FONT face="Comic Sans MS" color=#000080>Can we get back in the =
wagon
now?</FONT></P>
<P><FONT face="Comic Sans MS" =
color=#000080>Del</FONT></P></BLOCKQUOTE>
<DIV><FONT face="Comic Sans MS" =
color=#000080></FONT> </DIV></BODY></HTML>