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<DIV><SPAN class=063572722-05042002><FONT face=Arial color=#0000ff =
size=2>The heavy use of sustain pedal while attack is very =
efficient at
breaking strings, that is why I thought of the unisson tuning reason =
(too much
energy since the attack)</FONT></SPAN></DIV>
<DIV><SPAN class=063572722-05042002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=063572722-05042002><FONT face=Arial color=#0000ff =
size=2>Regards.</FONT></SPAN></DIV>
<DIV><SPAN class=063572722-05042002><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=063572722-05042002><FONT face=Arial color=#0000ff =
size=2>Isaac
OLEG</FONT></SPAN></DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Message d'origine-----<BR><B>De :</B> =
owner-pianotech@ptg.org
[mailto:owner-pianotech@ptg.org]<B>De la part de</B>
Wimblees@AOL.COM<BR><B>Envoyé :</B> vendredi 5 avril 2002
20:46<BR><B>À :</B> =
pianotech@ptg.org<BR><B>Objet :</B> Re: Scale
tension<BR><BR></FONT></DIV><FONT face=arial,helvetica><FONT =
size=2>In a
message dated 4/5/02 11:29:12 AM Central Standard Time, =
dm.porritt@verizon.net
writes: <BR><BR><BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"
TYPE="CITE">I think soft hammers break more strings than hard ones.
Why? <BR>Because the pianist wants a certain sound for the fff =
climax
of the <BR>piece. If the hammers are soft, he/she has to hit =
the keys
harder. <BR>Still not enough sound, hit them harder yet. Bang! =
It happens all <BR>the time. <BR><BR>dave =
<BR><BR></BLOCKQUOTE><BR><BR>I
do agree that a pianist wants to hear a loud sound, and he will play =
hard, but
I don't think it is necessarily the condition of the hammers. The same =
pianist
who broke strings on his B, didn't break them on the D in the concert =
hall,
either before the concert when he practiced, and during the concert. =
And he
played the Rach 3, quite a loud and boisterous piece, to say the =
least.
<BR><BR>I think part of the problem is the playing technique. Some =
pianist
have a technique that will cause strings to break, regardless whether =
they are
soft or not. A very good jazz player in St. Louis had reputation of =
breaking
strings. It was something in his attacking the notes that caused =
strings to
break. A lot of fundamental churches break strings, because they =
constantly
play hard. So I don't think it is all related to the condition of =
hammers.
<BR><BR>Wim </FONT></FONT></BLOCKQUOTE></BODY></HTML>