<HTML><HTML> In a message dated 8/29/05 2:49:17 PM, jodel@kairos.net writes: <BLOCKQUOTE CITE STYLE="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; = MARGIN-RIGHT: 0px; PADDING-LEFT: 5px" TYPE="CITE">not something so show= y as to intimidate the client (still want their opinion, right?). What do= you think? </BLOCKQUOTE> I can't not intimidate them.  Even playing simple pieces, technique sh= ows through with phrasing, voicing, dynamics, etc.  No one has ever sa= t down and played the piano after I test it.  Ever.  They all re= fuse.  Whaddayagonnado? I don't play showy, arpeggio-ey things, either.  Mozart Sonata in G, 2= nd movement; Chopin Etude in Eb Major; Chopin Waltz in C# minor; and the int= ro to "Falling" from "THEY'RE PLAYING OUR SONG", by Marvin Hamlisch  (= I play it chromatically up from the original key of D to F, testing the top = octaves/unisons). Other than showing the client how good their piano can sound, I'm primarily = listening to unisons.  Unisons are the only interval the consumer/pian= ist can detect when it's out.  Between those first three pieces, I can= hear melodically, every note between middle C and A5.  Tom Sivak Chicago</HTML>