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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=rrg@unlv.edu href="mailto:rrg@unlv.edu">Robert =
Goodale</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> February 11, 2003 11:49 =
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Strings 'n =
Things</DIV>
<DIV><BR></DIV>
<DIV><FONT size=2>I would be interested in hearing some =
opinions on tone
variances between Mapes and Roslau wire. I have used both. =
Other
than origin and color what noticable differences have some of you =
noticed
in tone quality? I'm not certain how this could be verified =
without
stringing two identical pianos with each type of wire and then placing =
them
side by side. Has anyone noticed any defined brightness,
fullness, or particular partial emphasis or suppressions between
them? If so which seems to closer resemble the tone =
quality of
strings originally used in 1920s-ish pianos?</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Just wondering, seems like a good topic for
discussion.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Rob Goodale, RPT</FONT></DIV>
<DIV><FONT size=2>Las Vegas, NV</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT face="Comic Sans MS" color=#000080>
<DIV><FONT face="Comic Sans MS" color=#000080>As I've mentioned =
before on this
list, some years back I did have the opportunity to run a fair number of =
identical pianos using both Mapes and Roslau wire. No one was able to =
discern
any difference aurally nor were we able to measure any difference with =
the
spectrum analyzer.</FONT></DIV>
<DIV><FONT face="Comic Sans MS" color=#000080></FONT> </DIV>
<DIV><FONT face="Comic Sans MS" =
color=#000080>Del</FONT></FONT></DIV></DIV>
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