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<DIV>
<DIV> Ron</DIV>
<DIV> Well I could send you a DVD of my D but then that's not really a=
representative of the Factory instrument. What's your mailing address
though.</DIV>
<DIV> </DIV>
<DIV> BTW I've seen/heard & worked on NY D boards as thin as=
.320 & as thick as >390 ish. But then the same can be said of the oth=
er
models. I can't tell there is any parameter for any particular board thickne=
ss
or at any time frame in there history.</DIV>
<DIV> The NY D I worked on with a thin board did not sustain as well a=
s
the ones with a panel in the .360 ish range. My own is .370 & has =
the
fat envelope you refer to. It's a wonderful sound.</DIV>
<DIV> Dale</DIV>
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<DIV>It was really a bit too ill to tell what it might have sounded like w=
hen
new. But certainly, with only 8 mm in the high treble, I think it has too
little mass to sustain effectively. For my taste, I think the Hamburg Ds a=
re a
bit too short-and-shocky in the top as a general rule (but then again, the=
y
would probably say that my boards are too sustaining - it is purely a matt=
er
of taste). I prefer a bit longer fat-envelope, before the longer lingering=
gets under way.</DIV>
<DIV><BR></DIV>
<DIV>I'd like to hear a few recordings of well prepared US made Ds. I hear=
d a
US D played by Cyrus Chestnut in the 300th year television special which
sounded pretty good. Anybody know what typical D panel tapering/thicknesse=
s
are for the US made Ds?</DIV>
<DIV><BR></DIV>
<DIV>Ron O.</DIV></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
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