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<DIV>My Bluthner has agraffes on the bridges for the aliquot =
strings.
Perhaps Sohmer was attempting to 'improve' the transmission of sound =
into the
board? Does anyone know more?...</DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:HazenBannister@cs.com"
title=HazenBannister@cs.com>HazenBannister@cs.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, December 11, =
2002 4:18
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> too many =
aggraffes</DIV>
<DIV><BR></DIV><FONT face=arial,helvetica><FONT size=2>Hi, =
<BR> I
serviced and tuned a Sohmner grand today.It had a bass,mid,and treble
section.It had aggraffes on the bass,and mid section,as a lot of =
pianos do.On
the treble section,all the strings went through, what looked like a =
series of
small tunnels, for each unison.On the complete bridge,except for the =
bass,it
had aggraffes all the way up through half of the treble bridge,then =
finished
up with bridge pins.I had never run across anything like this. =
<BR>Always
something new, <BR>Hazen Bannister =
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