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<DIV><FONT size=3>I have finally arrived at the age where I can admit there are
things that exist that I can't understand or give a scientific
explanation. Key color is one of them. I hear a difference in keys
even in flawless ET and I know lots of other people who hear color. I
can't explain it, but I don't pooh pooh everything I can't explain. While
HTs have MORE key color (and somewhat different key color) ET does too.
</FONT><FONT size=3>I know some will claim that it is just not ET or the dreaded
RW, but.....</FONT></DIV>
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<DIV><FONT face="" size=3>Another, related item, is the effect of keys on pitch
stability. In college, I belonged to a choir that was called an a Cappella
choir. While we did use accompaniment for some music, most was a
Cappella. Certain keys would always lead us out of tune quickly and in
others we stayed amazingly in tune. F and G seemed quite unstable, but if
we started in F# the pitch would hold very well. B-flat was probably the
worst, but singing the same song in B would stay in tune well. Temperament
had no effect, because we got our starting pitch from a single note (always the
tonic) and sometimes from a pitch-pipe. I don't know what caused it.
I have no scientific explanation for it. I just observed it for 4 years in
choir. </FONT></DIV>
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<DIV><FONT face="" size=3>Key color, pitch stability, pitch recognition (a name
I like much more than "perfect" pitch) are all things I can't explain,
but then there are lots of things that I observe in this world that I can't
explain or understand. Isn't that part of what makes life
fun?</FONT></DIV>
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<DIV><FONT face="" size=3>dave</FONT></DIV></BODY></HTML>
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<FONT size=3>David M. <FONT color=#000000
face="Times New Roman">Porritt</FONT></FONT></DIV>
<DIV><FONT size=3><A
href="mailto:dporritt@swbell.net">dporritt@swbell.net</A></FONT></DIV>
<DIV><FONT size=3>Meadows School of the Arts</FONT></DIV>
<DIV><FONT size=3>Southern Methodist University</FONT></DIV>
<DIV><FONT size=3>Dallas, TX 75275</FONT></DIV>
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