<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>Saw a Petrof just like what you decribe about 6 months ago. The tone was very
<BR>much like the upright Petrof's, warm with character and flexibility, but
<BR>lacking focus and articulation. The regulation had not been addressed since
<BR>purchase, but was so bad that it could not have been regulated at sale time.
<BR>It needed more than the usual amount of prep - less pianos, however, in that
<BR>many key bushings were tight, spacing and the evenness of factory regulation
<BR>(let - off, checking, drop, etc.) would not come into place if I corrected
<BR>hammer blow distance. Voicing was clearly untouched, the hammers had grooving
<BR>into very soft felt. Despite these deficiencies, I liked the piano, because I
<BR>knew with 2-3 hours at my hands it would sound wonderful. Unfortunately,
<BR>they haven't done the work, so I can't report that it all happenned as I
<BR>expected.
<BR>I also have a Piano MADE by Petrof (Weingrad, or something like that). which
<BR>is this size. In every respect, it is a wonderful piano, rivalling a
<BR>Schimmel, and with much the same character. It does have a nice soundboard
<BR>crack, but it seems to have had no effect on tone.
<BR>My personal opinion says that 18,000 is a very good price (if well regulated,
<BR>voiced, etc.) and that 19,500 should be your upper limit to buy.
<BR>
<BR> Michael Meade </FONT></HTML>