<HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SERIF" FACE="Times New Roman" LANG="0">In a message dated 9/29/2002 9:06:55 AM Pacific Daylight Time, A440A@aol.com writes:<BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Subj:<B>Re: Hang'n dem Hammers </B><BR>
Date:9/29/2002 9:06:55 AM Pacific Daylight Time<BR>
From:<A HREF="mailto:A440A@aol.com">A440A@aol.com</A><BR>
Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A><BR>
To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A><BR>
<I>Sent from the Internet </I><BR>
<BR>
Ed </FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE><BR>
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</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SERIF" FACE="Times New Roman" LANG="0"> I agree and am on the same page. On the one hand I'm a whatever works for you kind of approach but doing it the other way, for me,presents more opportunity for error & frustration due to some of the things you mentioned Ed and the ineffiency of not being able to seperate job functions.Ie traveling all shanks at once using a square, determing strike and bore angles and hanging in one operation. I really am trying to make money doing it.<BR>
The curved hammer line is so common on stwys in my shop I can all most call it before hanging. Dry fit and listen to the tone especially from G5 thru E-6 with C-6 usually being the not pulled the furthest forward ,often 3 mm. Una corda sound is improved as isoverall power and sustain.<BR>
As an aside I know of no other factor that creatres more difficulty in the hanging process than that of too tight a bore fit to the shank, well other than hammers bore incorrectly.<BR>
My two cents>>>>Dale Erwin</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><BR>
RICHARD WRITES: <BR>
>But I do get a real quick dead on line. Guess I am<BR>
>looking for a good reason to learn a new approach :)<BR>
><BR>
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Using the old hammers as guides in an "every other one" fashion brings all <BR>
variables of previous filing or regluing into your equation. The hammers may <BR>
not be in an exactly even line. This may cause problems if you try to shape <BR>
the tails en masse, since some may be at greater or lesser amounts of <BR>
inclination. <BR>
I set hammer bore and hanging angles on the end hammers of the sections. <BR>
Then, after I travel all shanks, hang the hammers with a pair of straight <BR>
edges held in a jig, one, a 90 degree bracket locating the bottom and front <BR>
of the tails and another that the distal shoulder rests against. Things go <BR>
pretty fast, once the end hammers are correct. <BR>
In the C5-C7 area, it is not uncommon for the hammer-line to be curved <BR>
between the end hammers on a per section basis. This comes from hanging trial <BR>
hammers in the middle of the section and moving the action in and out to find <BR>
the best contact point on the string. I don't think the original <BR>
manufacturers always took the time to do this, relying instead on straight <BR>
hammer lines being close enough. <BR>
Regards, <BR>
Ed Foote RPT <BR>
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