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SANSSERIF" FACE="Verdana" LANG="0">Admirable attitudes one and all. &nbs=
p;I share in it the vast majority of the time. There are times, howeve=
r, when just getting all the notes working takes up a fair share of the appo=
intment time I've scheduled for the client. In those cases, time is th=
e limiting factor, and I point out to the client that at this particular app=
ointment, getting the piano functioning is the priority.
<BR>
<BR>On pianos where everything works at least reasonably well, I'm in total =
agreement with y'all. It will probably be a far longer time between tu=
nings for the economically challenged. And let's face it--if they can =
stretch the budget to pay (usually at a very discounted price) for piano ser=
vicing, they are more likely to appreciate your work than someone for whom t=
heir Steinway is just another dust-collecting status symbol.
<BR>
<BR>Dave Stahl
<BR>
<BR>In a message dated 12/30/04 5:53:12 AM Pacific Standard Time, hoffsoco@l=
uther.edu writes:
<BR>
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<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-=
LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">My attitude regarding the l=
ow end piano is the antithesis of a comment I
<BR>>read here on the list a few years ago: "I put a timer on the piano &=
nbsp;and
<BR>>when 45 minutes passes, the piano is tuned."
<BR>>
<BR>> >Mine too.
<BR>>
<BR>>Yes, it's harder to tune that beast, but I think no one would =
argue the
<BR>>fact that we tuners offer service to people. Some people=
own
<BR>>Steinways. Some people own other pianos.
<BR>>
<BR>> >Case in point: I tune almost any piano within 15 minutes of my =
house
<BR>> (any farther and it s pretty much only good grands.) Today I tuned =
a
<BR>> Wurlitzer console; it was a neighbor s grandma s piano, with a card=
from
<BR>> Francis Mehaffey stuck in the top (Grandma lived in Claremont, CA, =
where
<BR>> Francis lived.)
<BR>>
<BR>>Anyway, I didn t just run through it, but tuned it as I would tune a=
good
<BR>>grand---slowly and carefully.
<BR>>
<BR>>When it was done, and I played it, the first thing out of my mouth w=
as
<BR>>that s the best this little guy has ever sounded.
<BR>>
<BR>>A good, focused tuning can make a huge difference in a C grade piano=
. Really.
<BR>
<BR>>David Andersen
<BR>
<BR>
<BR>DEFINITELY!!
<BR>
<BR>The only reason that a tuning on a C-grade piano could take any less tim=
e
<BR>is that the point of diminishing returns is reached earlier. Usual=
ly, it
<BR>takes longer because of reasons we all know.
<BR>
<BR>My tuning is done when _I'm_ satisfied that it has the best tuning possi=
ble.
<BR>i.e. - I tune for my own pleasure...
<BR>
<BR>Questions I ask myself before I close up the piano:
<BR>1. Is it the best tuning the piano can take?
<BR>2. Is the piano in better condition (exclusive of tuning) than when I fo=
und it?
<BR>3. Have I addressed all the concerns the customer may have voiced?
<BR>
<BR>
<BR>
<BR>
<BR>
<BR>Conrad Hoffsommer, RPT, MPT, CCT, PFP, ACS, CRS.
<BR>Decorah, IA
<BR>
<BR>- Certified Calibration Technician for Bio-powered Digitally Activated
<BR>Lever Action Tone Generation Systems.
<BR>- Pianotech Flamesuit Purveyor
<BR>- American Curmudgeon Society - Apprentice Member and Founder
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