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<DIV><FONT face=Arial>Mike, </FONT></DIV>
<DIV><FONT face=Arial>Thanks for your input. I have also noticed the =
different
technique needed to set the string during fine tuning. Firm test blows =
usually
have no effect, I have to make more micro moves with my hammer to place =
the
tension properly, in the tenor and I was wondering if the material under =
the
felt would fail causing it to cut a channel making it =
contact
more of the understring felt. I like your idea of the brass half round =
with
thick understring felts and I'll experiment with this if time permits.
</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>I'm starting to do more with major repairs and
refurbishing of original components and I frequently check the archives =
of this
list to see what alternatives others have used sucessful or not. Thanks =
to
everyone!</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>David Chadwick RPT</FONT></DIV>
<DIV><FONT face=Arial>Las Vegas</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=spalding48@earthlink.net
href="mailto:spalding48@earthlink.net">Michael Spalding</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, March 26, 2005 =
7:09
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Steinway =
understring felt
card</DIV>
<DIV><BR></DIV>
<DIV>David,</DIV>
<DIV> </DIV>
<DIV>Here's my thoughts, others may disagree. The Steinway tenor =
understring felt develops a grip on the strings over time which =
becomes the
most obnoxious impediment to reliable rendering of strings during
tuning. Unless you absolutely have to remain true to S&S =
original
design, consider a low-friction substitute, such as brass =
half-round.
You can lay a strip of thick felt on either side of the brass to damp =
the
duplex, but the brass supports the string and allows it to move during =
tuning. As seen on many fine asian pianos.</DIV>
<DIV> </DIV>
<DIV>Mike</DIV>
<DIV> </DIV>
<DIV></DIV>
<DIV> </DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid">
<DIV style="FONT: 10pt Arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=chadwick61@cox.net =
href="mailto:chadwick61@cox.net">David
Chadwick</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To: </B><A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">PTG</A></DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> 3/25/2005 10:53:39 AM =
</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Steinway understring =
felt
card</DIV>
<DIV><BR></DIV><FONT size=2>
<DIV><FONT face=Arial size=2>Greetings, </FONT></DIV>
<DIV><FONT face=Arial size=2>I need some information regarding =
exactly what
the material is that supports the forward understring felt in the =
tenor
section on the Steinway grand. I'm working on a ex-player "O" which =
received
has some updates, more like down-dates. I'm unsure what to use to =
support
the cloth on that slope on the plate. Anybody has any suggestions?
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>By the way....The soundboard crack =
repair
system of Bill Spurlock was a first time for me and with proper =
set-up of
jigs and guides it was a pleasure to use. Very close to the bridge =
for
cracks going under the bridge itself. I still used the hand carved =
method
for in-between bridge and bass apron where the set up would not fit. =
Real
professional looking. </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>David Chadwick</FONT></DIV>
<DIV><FONT face=Arial size=2>Las Vegas,
Nevada</FONT></DIV></FONT></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>