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<DIV><FONT color=#000000 size=2>In a post back on 4/23, Del =
wrote:</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>"Especially in short pianos the =
back<BR>scale length is nearly as important as the speaking =
length.
Sometimes more so."<BR></FONT></DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 size=2>I've been wondering if anyone, Del, =
Ron, or
anyone who has a knowledge of scale design would like to pick up on
this. Is this referring to the length of string between the =
rear
bridge pin and the hitch pin that often speaks in the treble end of the
piano? I've rebuild an old Mason & Hamlin with the 'half =
round'
aliquots in the rear duplex scale, and tuned each one to perfection... =
very
sweet sound. Is that what you were referring to, Del?</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Is it also important to have the =
sections of
strings that we often mute (the part of the string between the rear =
bridge pin
and the hitch pin of the wound bass strings for example) in some type of =
proportional relationship to the length of the speaking length of the
string? (I sure hope that came out right. I've never asked =
this
question before!) Would that be a possible reason to actually =
shorten the
speaking length of an already short bass string?</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT size=2>I'm reaching here... having trouble with the
words...</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Any thoughts? Are ya up for =
another
'lesson' Del? Inquiring minds just couldn't help but ask! =
:-)</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Thanks,</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT> </DIV>
<DIV><FONT color=#000000 size=2>Brian Trout</FONT></DIV>
<DIV><FONT color=#000000 size=2>Quarryville, Pa.</FONT></DIV>
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