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<DIV><FONT face=Arial size=2>Dale E. said: "<FONT face="Times New =
Roman"
size=3>Uhh Joe .Not always partner. It depends. I've seen many =
uprights
with the <BR>bridge split up the tenor bridge are very
healthy.<BR></FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><FONT face="Times New Roman"
size=3>Dale,</FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><FONT face="Times New Roman" =
size=3>On uprights,
yes. I agree. BUT, wheren't we discussing a Grand? On Uprights, for some =
darned
reason, most manufacturers appeared to used the "reject" wood for bass =
bridges.
I've never figured that one out, even tho it seems to be the case. In =
grands,
however, the same quality of wood seems to be used on all bridges. My =
comment
was from experience, that dictates, to me, that if one bridge is bad, =
the other
is definately suspect. I've found this has proven out, over the years. =
Another
thing, as long as we're doing this much, a little more will make a =
massive
difference in the end results, IMO. So, =
there....Pstztszt!<G><BR><BR><FONT
face=Arial size=2>Best Regards,</FONT></DIV></FONT></FONT>
<DIV><FONT face=Arial size=2>Joe Garrett, R.P.T.<BR>Captain, Tool
Police<BR>Squares R I</FONT></DIV></BODY></HTML>