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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=davidlovepianos@earthlink.net
href="mailto:davidlovepianos@earthlink.net">David Love</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, March 13, 2003 =
6:42
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Downbearing and =
Tone</DIV>
<DIV><BR></DIV>
<P><FONT face="MS Sans Serif" size=2>
<DIV>How would you best describe the tonal characteristics of a =
piano
that has too much versus too little down bearing?</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>David Love</DIV>
<DIV><A
=
href="mailto:davidlovepianos@earthlink.net">davidlovepianos@earthlink.n=
et</A></DIV>
<DIV><FONT face=Arial size=3></FONT> </DIV>
<DIV><FONT face=Arial size=3>As I understand it, theoretically =
with too much
bearing it would be loud but not sustain very well, and with too =
little, it
would sustain long (providing the soundboard is good) but not have =
much
volume. But so many other factors enter in that downbearing =
can't be
pointed to as the sole reason for a certain tone quality. =
</FONT></DIV>
<DIV><FONT face=Arial size=3> --Dave Nereson, =
RPT,
Denver</FONT></DIV>
<DIV> </DIV></FONT>
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