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Richard, Jim, Bill and List:
<BR> String rendering determines just how well the piano
will stay in tune, given both time and how much fortissimo playing is done
- re: concerts in particular.
<BR> I would like to add to the 'hard pounding' thread
something that, in 1966, made a icy, snowy trip to Louisville, KY well
worth while. I cannot remember the name of the instructor but this
one hammer technique action I still find useful even today. It goes
like this - give it a try on the next tuning, particularly if "strings
do not<I> </I><B><U>render</U></B><I> </I>easily.
<BR> In a majority of cases notes are being 'raised',
not lowered, when tuning. Therefore this procedure will work only
in the <I>majority</I> of the cases. After determining the note is
flat, usually be listening softly. strike the key <I><U>forcefully</U>
</I>(as in Test blow) while <I><U>simultaneously</U></I> forcefully
kludging the tuning hammer upward. The forceful blow definitely helps
the string being tuned to move from friction 'freezes'. Now give
your <I><U>test blow</U></I> and neither you or the concert artist can
change the pitch! Try it. You might like it - Mikie does!
<BR>
<P>Richard Moody wrote:
<BLOCKQUOTE TYPE=CITE>If I may add, this "bumping up and down of the pin"
is the best
<BR>indication of if the string is RENDERING. Thank you Jim Bryant for
<BR>bringing us back to this word. I capitalize that because
that is what my
<BR>teacher said , in effect, the setting of the pin depends on how the
string
<BR>renders. He would say from time to time, "This string is
not rendering"
<BR>and give a test blow to prove it. Then I would tune it, and he
would give
<BR>a test blow to prove it again. Through this I became aware of
how to find
<BR>strings that were not "rendering". It involves the "bumping up
and down "
<BR>of the tuning pin Bill Ballard mentions.
<BR> In a nutshell, if the pin
is bumped up and no change happens, the string
<BR>is not rendering. That means no matter what you do, for that
particular
<BR>string, sooner or later a hard blow will dislodge it. Hopefully
it will
<BR>be later depending on what you do.
<P>Richard Itsalwayslater
<BR>----------
<BR>> From: Bill Ballard <yardbird@sover.net>
<BR>> To: pianotech@ptg.org
<BR>> Subject: Re: hard pounding
<BR>> Date: Friday, April 10, 1998 6:55 AM
<BR>>Bumping up and
<BR>> down from what you hope is a settled tuning pin and string path is
a far
<BR>> better indicator of how close to the relaxed center the pin torsion
and
<BR>> tension differentials across friction barriers are.
<P>> "Richard Moody" <remoody@easnet.net> wrote:
<BR>> >they (test blows)should demonstrate instead that the piano indeed
has
<BR>problems as you put
<BR>> >it in the proper relationship of tuning pin friction but most
<BR>importantly
<BR>> >string friction at the pressure points.
<BR>>
<P> >If
<BR>> string friction is higher that pin friction, there's no way the
<BR>> "bump-up-bump-down" is going to work. I covered this in 2-3/91 PTJs.
<BR>> ("String Friction and its Coordination with Pin Friction in Tuning
<BR>> Mechanics".)
<P>> Bill Ballard, RPT
<BR>> New Hampshire Chapter, PTG
<BR>>
<BR>> "We mustn't underestimate our power of teamwork."
<BR>> Bob Davis
<BR>>
<BR>></BLOCKQUOTE>
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