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<DIV>Bill:</DIV>
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<DIV>Is she left handed? I don't know about that scale but I work with a
"Spirit Filled" church some years ago that kept breaking bass strings on a
Samick (mostly G2). I suspected the scale. Finally, unable to
believe that this was their fault, they called someone else, thankfully!
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<DIV>dave<BR><FONT face=Arial size=2>*********** REPLY SEPARATOR
***********<BR><BR>On 1/27/01 at 12:12 PM Billbrpt@AOL.COM wrote:</FONT></DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; PADDING-LEFT: 5px"><FONT
face=arial,helvetica><FONT size=2>List, <BR><BR>Yes, it's true and I need some
opinions on what to do about it. It is a <BR>Young Chang Grand model
G-185, only a few years old. It is meticulously <BR>cared for but early
in it's service, the pianist at this, shall we say, <BR>"spirit filled" church
complained of bass strings breaking and shooting out <BR>of the piano.
<BR><BR>I have tried all of the usual. I filed the hammers. A
monitor feeds back <BR>sound to the pianist. When I explained to the
church directors that it is <BR>the "vigorous" style of playing that sometimes
causes strings to break, the <BR>pianist resigned. Things were OK for a
while but now there is a young lady <BR>who is firing scuds at the
congregation faster than I can get there to <BR>collect them, get them
duplicated and replace them. <BR><BR>She is quite upset and beside herself.
She refuses to believe that it is the <BR>*way* the piano is played that
is causing this. She claims that she has <BR>played the piano "all her
life" and has never seen or even heard of this <BR>happening. The piano
has a string cover which she yanks out and throws in <BR>the corner. She
also says she has never played a piano with a "blanket" in <BR>it and just
"couldn't" play with it in there. I have firmly insisted that at
<BR>this point, it is a matter of public safety and won't have any effect on
the <BR>sound. <BR><BR>I am thinking that these wound strings must have
particularly high tension. <BR>Does anyone know if this is so?
Over the years I have heard of other such <BR>instances that were cured
by replacing the wound strings with a set of <BR>lighter gauged, "happy"
strings. It would seem to me that a lower tension <BR>would solve the
problem but in reading the recent post about "replacement <BR>strings", I am
confused. Some of these strings have been breaking at the <BR>bass
bridge termination point rather than the agraffe. That seems very
<BR>unusual to me. <BR><BR>Should the manufacturer supply a new set of wound
strings and if so, should <BR>they be a set designed for lower tension?
I presume that heavier gauged, <BR>higher tension strings provide a
bigger, bolder sound. What effect would <BR>lower tension have?
Just as a theoretical question, would tuning the <BR>instrument to a
lower pitch, say 100 cents lower prevent this from happening <BR>(with the
same gauge but a *new* set of strings)? (I do not view this as an
<BR>option, just a possibility that might work in some other circumstance).
(I <BR>also would not even consider altering the regulation to
deliberately produce <BR>less power). <BR><BR>It is also interesting to note
that to date, only wound strings have broken, <BR>no plain wire. <BR><BR>Bill
Bremmer RPT <BR>Madison, Wisconsin</FONT><FONT size=2
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<FONT size=3>David M. <FONT color=#000000
face="Times New Roman">Porritt</FONT></FONT></DIV>
<DIV><FONT size=3><A
href="mailto:dporritt@swbell.net">dporritt@swbell.net</A></FONT></DIV>
<DIV><FONT size=3>Meadows School of the Arts</FONT></DIV>
<DIV><FONT size=3>Southern Methodist University</FONT></DIV>
<DIV><FONT size=3>Dallas, TX 75275</FONT></DIV>
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