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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=pianobuilders@olynet.com
href="mailto:pianobuilders@olynet.com">Delwin D Fandrich</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, May 31, 2003 =
10:52
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: hammer shapes and
symmetry</DIV>
<DIV><BR></DIV>
<DIV><BR>I was<BR>able to observe pianos go from having a raw, but =
potentially
wonderful,<BR>sound just before pounding deteriorate to dull thudders =
after
pounding. The<BR>only thing that would bring them back up was to sand =
off the
top layers of<BR>felt--spoiling that nice shape--or applying a liberal =
quantity of juice.<BR>The solution of choice was the solution. But the =
sound
was never the same<BR>again. The dynamics were lost in the solution. =
(Sorry
about that...)<BR>> On a lacquer soaked =
hammer,
there seems to be little difference in<BR>the<BR>> tonal range due =
to
shape.<BR>Sadly, considering what has been lost, I =
agree.<BR>Del<BR>pianotech
list info: <A
=
href="https://www.moypiano.com/resources/#archives">http://www.ptg.org=
/mailman/listinfo/pianotech</A></DIV>
<DIV> </DIV>
<DIV> Pounding? You mean pounding the felt to =
harden
it? Or the pounding of pitch raising and tuning? </DIV>
<DIV> --David Nereson,
RPT<BR><BR></DIV></BLOCKQUOTE></BODY></HTML>