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<TITLE>Re: How we hear to Jeneetah</TITLE>
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<BLOCKQUOTE><FONT FACE="Arial"><SPAN STYLE='font-size:12.0px'>Hi,<BR>
</SPAN></FONT><SPAN STYLE='font-size:12.0px'><FONT FACE="Verdana"> <BR>
</FONT><FONT FACE="Arial">Maybe you should keep on making soft blows, but t=
ry to hit the key quickly, without listening to the note during 15 sec like =
you said.<BR>
That way you'll be able to hear the "attack" of the note, the fir=
st stage of the sound that is produced.<BR>
Having a clear and pure sounding attack is very important for me, and I've =
never succeeded in having a clear attack when tuning with listening to the n=
ote more than 2 or 3 seconds.<BR>
</FONT></SPAN></BLOCKQUOTE><SPAN STYLE='font-size:12.0px'><FONT FACE="Verda=
na"><BR>
Sorry, Quentin, but I absolutely disagree; listening to the unison all the =
way out to silence is the only way that works, for me, to get the note compl=
etely still, completely blooming and rich. Period. <BR>
<BR>
That said, it really doesn’t matter, ultimately, HOW you get a piano =
to sound and feel beautiful; it just matters that you CAN.<BR>
<BR>
Best of the day,<BR>
<BR>
David Andersen</FONT></SPAN>
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