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<DIV><FONT face=Arial size=2>Charles, that's what it says in the =
tuning exam
source book; clean 2/1 octaves in the top octave. </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Kevin.</FONT></DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=piano@charlesneuman.net =
href="mailto:piano@charlesneuman.net">Charles
Neuman</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, February 04, =
2003 11:11
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RPT test, top octave, =
was Re:
Aural Octaves (Jim Coleman Sr)</DIV>
<DIV><BR></DIV>Just to be clear: Does it really specify that the the =
top
octave has to<BR>make beatless 2:1 octaves? Is this a new thing? =
If not,
is it still true?<BR><BR>The reason I ask is that I dug out my handout =
from
the Convention about<BR>the RTP tuning test and it didn't say it quite =
so
explicitly. It's not an<BR>official publication, but it was pretty =
specific
about the requirements<BR>for the test.<BR><BR>What it says about the =
top
octave is: "For purposes of this examination,<BR>do not stretch the =
high
treble notes more than is necessary to get good<BR>clean sounding =
octaves all
the way to the top."<BR><BR>Does that really mean "2:1 octaves need to =
be
beatless in the top octave"?<BR>I think in the class we were told =
something
like, "Don't stretch it as<BR>much as you might like."<BR><BR>I just =
want to
clear up my confusion.<BR><BR>Thanks,<BR><BR>Charles Neuman<BR>PTG =
Assoc, Long
Island<BR><BR><BR>> Charles, Jim is just =
making
reference to the instructions for the =<BR>> RPT test which =
states that now
matter how the technician normally tunes, =<BR>> on the test they =
want you
to tune pure 2/1 octaves on the very top part =<BR>> of the =
piano. They
just want you to prove that you can do it, that's =<BR>>
all.=20<BR>> Kevin E. =
Ramsey<BR>>
----- Original Message -----=20<BR>> From: Charles
Neuman=20<BR>> To: <A
=
href="mailto:pianotech@ptg.org=20">pianotech@ptg.org=20</A><BR>>=
Sent: Wednesday, January 29, 2003 9:06 PM<BR>> Subject: =
Re:
Aural Octaves (Jim Coleman Sr)<BR>><BR>><BR>> I'm =
a
little confused by Jim's statement below, from his email on =
=<BR>>
Aural<BR>> Octaves:<BR>><BR>>
> CAUTION! For those =
preparing to
take the PTG Tuning exam,<BR>>
> remember that it is =
required
to<BR>> > =
tune the
top octave C7 to B7 as simple pure octaves (2-1<BR>>
> type?) without the =
additional
stretch<BR>> =
>
which the above procedure would produce. Therfore, =
utilize<BR>>
> the 10th-17th test such =
as
G#4-C6<BR>> =
> and
G#4-C7 to be equal in beat rate. Also F5-C6 and
F5-C7<BR>> =
> to be
equal.<BR>><BR>> Does that mean the stretch suddenly =
ends at
the last octave? Or are =<BR>> you<BR>> just =
cautioning us
not to stretch too much on the exam? Those look =<BR>>
like<BR>> 2:1 octaves to me, so it seems like the =
stretch just
ends at the last<BR>> octave, and the tuning curve =
levels
out.<BR>><BR>> Also, Jim, I hope you'll post your =
comments
on bass octave tuning.<BR>><BR>>
Thanks,<BR>><BR>> Charles Neuman<BR>> =
PTG
Assoc, Long
=
Island<BR><BR>_______________________________________________<BR>pianotec=
h
list info: <A
=
href="https://www.moypiano.com/resources/#archives">http://www.ptg.org=
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