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<DIV><FONT size=4> List</FONT></DIV>
<DIV><FONT size=4> I find this kind of thing fun w=
hen I
can take a beautiful piece of previously engineered something and adapt it t=
o
something else saving big time & cash & utilizing something tha=
t
originally was very expensive to make & end up with a nice
result</FONT></DIV>
<DIV><FONT size=4> A client brought in a 1900 ish Baldwin upright th=
at
ended up needing more than it first appeared, including a board. It was=
n't
worth doing so the decision was made to scrap it. The tech who brought in th=
e
job wanted the beams & such for the maple & I'll be able to
salvage the spruce in the lam. beams also. </FONT></DIV>
<DIV><FONT size=4> The real jewel though was that this p=
iano
had a laminated soundboard liner just like Mason or Stwy grands &
uprights ( not as thick as a grand ). I managed to get it off in nearl=
y
one piece with crow bars, chisels & an Oklahama speed wrench.</FONT></DI=
V>
<DIV><FONT size=4> Now coincidently I'm replacing the bo=
ard in
a 6 ft. 1 inch Mason AA no. 28,246 which has ribs so long a cutoff bar=
was
<U>really</U> a necessity. </FONT></DIV>
<DIV><FONT size=4> The old Upright board liner had plent=
y of
stock for this & by fashioning it to fit the corner of the AA I was able=
to
install a straight 28 inch cut off bar that reduced the overall length of&nb=
sp;6
ribs as much as 13.5 inches. My longest rib was 50" & one of the
longest I've ever witnessed in any piano. This rib is now about 37.5
inches long. I don't believe its possible to use ribs this long and expect c=
rown
support for very long. Although my observations of the AA's =
is
limited the 13 rib scale has shown the crown has not survived=
even with tension resonator claims. Hence the few AA boards I=
've
seen are usually quite flat. The sound of this piano though fair =
was
quite lack luster in its tonal appeal if you know what I mean even though th=
e
board was not seriously cracked up</FONT></DIV>
<DIV><FONT size=4> The Mason AA has a very wide body & hen=
ce
very long ribs for a 6 ft 1" piano</FONT></DIV>
<DIV><FONT size=4> The original rib scale was as follows on th=
e
left</FONT></DIV>
<DIV><FONT size=4> For clarity the </FONT><FONT size=4>measu=
rements
below are the actual rib speaking length not including the piece in the
notches.</FONT></DIV>
<DIV><FONT size=4> </FONT></DIV>
<DIV><FONT size=4> 1. 30 &nb=
sp; in
inches</FONT></DIV>
<DIV><FONT size=4> <STRONG> 2. 37</STRONG></FONT></DI=
V>
<DIV><FONT size=4> 3. 45 --------38 modified
length</FONT></DIV>
<DIV><FONT size=4> 4. 50 --------37.5</FONT></DIV>
<DIV><FONT size=4> 5. 46 -------35.5</FONT></DIV>
<DIV><FONT size=4> 6. 40 --------32.5 </FONT><=
/DIV>
<DIV><FONT size=4> 7. 34 --------29.5</FONT></DIV>
<DIV><FONT size=4> 8. 28 --------27</FONT></DIV>
<DIV><FONT size=4> 9. 28</FONT></DIV>
<DIV><FONT size=4> 10. 20</FONT></DIV>
<DIV><FONT size=4> 11.18</FONT></DIV>
<DIV><FONT size=4> 12. 15</FONT></DIV>
<DIV><FONT size=4> 13. 13</FONT></DIV>
<DIV><FONT size=4> It's easy to see there is far more hope=
s for
the longevity of rib & crown stiffness than the previous scale. this mod=
also get the bridge more nearly centered over the long ribs which is IMO a g=
ood
thing.This original bridge also has the transition bridge with all the=
usual funky tri-chords. It's receiving a modified trans. bridge with
bi-chord replacements.</FONT></DIV>
<DIV><FONT size=4> I'll let you know how it turns out in a month or =
so.
The action is done & case stripped. The parts are in the finish process
waiting for the belly man to get it done so my finish guy(Roy) can have=
the
case & plate.</FONT></DIV>
<DIV><FONT size=4> Good new year to all</FONT></DIV>
<DIV><FONT size=4> Dale Erwin</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=4>
<DIV> </DIV>
<DIV><FONT lang=0 face=Arial size=2 FAMILY="SANSSERIF" PTSIZE="10"=
>Erwins Pianos
Restorations <BR>4721 Parker Rd.<BR>Modesto, Ca 95357<BR>209-577-8397<BR>Reb=
uilt
Steinway , Mason &Hamlin
Sales<BR>www.Erwinspiano.com</FONT></DIV></FONT></DIV></FONT></BODY></HTML>