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<DIV><FONT face=Arial size=2>Alan,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>It does take a lot of study--or, I =
should say, it
takes a lot of doing and listening.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>
<DIV><FONT face=Arial size=2>Nick Gravagne, Don Mannino and one of =
Kawai's
master techs gave a really excellent, clearly =
explained class on
voicing (Kawais) last year in Nashville. =
</FONT></DIV></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Have you ever taken a voicing class by =
Wally
Brooks? Of course, his presentation may have changed in the past =
20
years......</FONT></DIV>
<DIV><FONT face=Arial size=2>:-)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>But, it was Wally who explained it =
the best to
me *eons ago* and got me going--where the hammer needs to be hard, where =
it
needs to be soft, etc. Power, attack, sustain, what kind of =
stitches to
make with the needles, reducing weight. I was eager and ready, I =
had my
information and went with it. I've found (my =
opinion!) that the
basic rules pretty much hold true no matter what hammer you're =
working on,
BUT! the different types of hammers require different approaches to =
accomplish those same goals. You could think of it sort =
of like
variations on a theme (if you catch my drift). Of course, every =
once in a
while you get a Surprise Symphony! When that happens, you reach =
into your
voicing bag of tricks (I'm always adding to mine) and find =
something
that will work.</FONT></DIV>
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<DIV><FONT face=Arial size=2>Much luck,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Barbara Richmond</FONT></DIV>
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<DIV align=left><FONT face=Arial>Alan R. Barnard</FONT></DIV>
<DIV align=left><FONT face=Arial><SPAN =
class=140242202-06032005>Always
Studyin' but Not Always Gettin' It in </SPAN>Salem, MO</FONT></DIV>
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