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<DIV><FONT face=Arial size=2> Bill, </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> This is a Steinway M =
from 1995.
Looks brand new; no string grooves to speak of, knuckles perfect, case =
perfect,
I suspect it saw light playing infrequently for most of it's life. =
Wasn't
Susan's article about an SD-10? Thanks for the feedback, =
though.</FONT></DIV>
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style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=Bdshull@AOL.COM =
href="mailto:Bdshull@AOL.COM">Bdshull@AOL.COM</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, March 05, 2002 =
11:02
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Front Duplex</DIV>
<DIV><BR></DIV>Hi, Kevin:<BR><BR>How old is this piano? Does it =
get some
hard playing? I think that <BR>work-hardening of the =
string at the
"V" bar is responsible for most zinging <BR>(agraffe zinging may be =
different,
like on the "L" I had today). Killer <BR>octave V bar zinging is =
best
fixed either by replacing strings or by <BR>re-positioning the string =
on the V
bar - not sideways, but fore and aft by <BR>turning the tuning pins, =
as in
Susan Kline's excellent Journal article a <BR>couple of years =
ago. I
discovered this many years ago when I did this on a <BR>"C" and the =
zings went
away and the tone bloomed. <BR><BR>I don't like messing with the =
V
bar. It has surface hardening, which <BR>reshaping may cut
through; any good derived is short-lived. The problem is =
<BR>the
string, which has gotten too hard at the V bar.<BR><BR>Bill Shull,
RPT<BR><BR><BR>In a message dated 3/5/02 5:37:41 PM Pacific Standard =
Time,
<BR><A =
href="mailto:ramsey@extremezone.com">ramsey@extremezone.com</A>
writes:<BR><BR><< I have a question for the
list.<BR> <BR> What exactly is the proper =
fix for
the "singing of the Steinway Angels"<BR> in the front tuned =
duplex, that
is, when they get a little too carried =
away?<BR> I had
a customer today which was complaining about a kind of =
papery<BR> noise
on a few notes in the killer octave (naturally) area of the
keyboard.<BR> It was a Steinway M. It wasn't until it was tuned =
fully
that the problem<BR> became apparent to me. By that time all the =
other
stuff had been cleared up<BR> enough to hear. The front duplexes =
on some
of the long waste end notes had a<BR> kind of zing to
them.<BR> What I did to try to get rid of them =
was to
level the strings really<BR> well while also lifting up on the =
duplex
side of the capo bar to get a solid<BR> seating on both sides of =
it. When
I got done there was still a little noise<BR> there, so I had to =
do some
needling near the crown.<BR> Is what I did =
correct? Is
there a better way? Am I missing something<BR> here? It worked =
this time.
I really don't like the idea of muting the front<BR> duplex =
unless I have
exhausted every other recourse first. Of course, I<BR> don't like =
having
to deal with these kind of issues on a piano which =
the<BR> customer paid
so much money for, =
either.<BR> <BR> <BR> <BR> Kevin E.
Ramsey<BR> <A
href="mailto:ramsey@extremezone.com">ramsey@extremezone.com</A>
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