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<DIV><FONT size=2>Thanks, Jurgen, I'll try that. It also =
solidifies the
bridge pins, and prevents any possible string damage.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>--Cy--</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=pianoforte@pianofortesupply.com
href="mailto:pianoforte@pianofortesupply.com">Piano Forte Supply</A> =
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, April 13, 2005 =
12:22
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Seating strings: =
what's the
sound tell you?</DIV>
<DIV><BR></DIV>Tapping strings down to eliminate false beats is good - =
giving
the bridge pins a tap is even better. Tapping the bridge pins in =
just a
fraction has several advantages: it positions the string at a "new"
termination point on the bridge pin, and it pulls the string back down =
onto
bridge. One danger of tapping the string itself onto the bridge =
is
embedding it too deeply into the the bridge cap, creating a poorly =
defined
termination and associated tonal problems.</BLOCKQUOTE></BODY></HTML>