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<DIV class=OutlookMessageHeader lang=nl dir=ltr =
align=left><FONT face=Tahoma
size=2>-----Oorspronkelijk bericht-----<BR><B>Van:</B>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] <B>Namens =
</B>Erwinspiano@aol.com<BR><B>Verzonden:</B> vrijdag 20 december 2002
17:08<BR><B>Aan:</B> pianotech@ptg.org<BR><B>Onderwerp:</B> Re: =
Soundboard
Clamping for Downbearing<BR><BR></FONT></DIV><FONT =
face=arial,helvetica><FONT
lang=0 face="Times New Roman" size=2 FAMILY="SERIF">In a =
message dated
12/20/2002 5:36:27 AM Pacific Standard Time, mcpiano@globetrotter.net
writes:<BR><BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"
TYPE="CITE"></FONT><FONT lang=0 style="BACKGROUND-COLOR: =
#ffffff" face=Arial
color=#000000 size=2 FAMILY="SANSSERIF">.<BR>>Marcel
wrote:<BR>><BR>>>To me, after the crowning process, the =
board
should not<BR>>be dried again. I<BR>>>think that high =
temperature
MIGHT affect the glue<BR>>hardness and cause =
crown<BR>>>collapse (a
little at least).<BR>><BR>>Please explain what you mean by =
"high
temperature". And why<BR>>would it be
used?<BR>><BR>></BLOCKQUOTE></FONT><FONT lang=0
style="BACKGROUND-COLOR: #ffffff" face=Arial color=#000000 =
size=3
FAMILY="SANSSERIF">
<DIV><BR></FONT><FONT lang=0 style="BACKGROUND-COLOR: #ffffff"
face="Times New Roman" color=#000000 size=3
=
FAMILY="SERIF"> &n=
bsp; &nb=
sp;
=
Marcel<BR> &nb=
sp; &nbs=
p;
I often keep the boards in the hotbox after they are pressed at what =
ever temp
needed to keep the rh between30 and 40% which is often 70 to 80 =
degrees
in a high humidity sesaon. However it doesn't hurt any thing if the =
board is
dried down to it's pre-ribbed state of say 90 degrees and 25 to 30% =
R.H. Even
if you glued the board to the case in that dry it will still regain =
whatever
crown was lost due to being redried when it gains moisture =
content.Besides
whatever crown there is due to the ribs being crowned is more than =
ample, even
in the driest conditions. Purely
=
<BR> &nb=
sp;
Compression crowned panels will suffer greater losses of crown under =
the
conditons described above and will have very little or none if they =
were'nt
carefully dried to about 4.5% EMC before ribbing instead of what Peter =
posted
earlier describing basically no drying at all. Peter, what were you
thinking?<SPAN class=182452014-21122002><FONT face=Arial =
color=#0000ff
size=2> </FONT></SPAN></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><SPAN
class=182452014-21122002> </SPAN></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><SPAN
class=182452014-21122002></SPAN><SPAN =
class=182452014-21122002></SPAN><FONT
face=Arial><FONT color=#0000ff><FONT size=2>T<SPAN =
class=182452014-21122002>he
question is if I think ?:-)</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002></SPAN></FONT></FONT></FONT></FONT> </DIV=
>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN class=182452014-21122002>1)I have experienced now =
that
compression crowned boards loose very much crown by unstressing them; =
so if
you want to work this method you should carefully dry the panel so the =
wood
will swell and taking crown by the change of humidity. And =
you also
have to "overbend" the ribs to keep some crown after a few days,
weeks. That's the only way to be shure to keep some
crown.</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN class=182452014-21122002>2)Using compression crown =
and drying the
(in my case not dried before gluing on the ribs)board before =
installing it in
the piano will present the risc of having negative crown (which is the =
case
for the moment with me) and cracks (in extreme conditions). =
Problems
then are : how can one attach the bridges to the board? By puching =
more you
also bend the board in the direction it may not bend. If you =
have crown
and you puch with more force, the board is going flatter which will =
allow to
have the bridge full contact with its complete surface. (Of =
coarse
you can puch that much so you will puch through the board, but I think =
no-one
will take that risc)</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002></SPAN></FONT></FONT></FONT></FONT> </DIV=
>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN class=182452014-21122002>So if you want to know, I'm =
going to
restart, ie taking of the ribs whith a plane and placing new crowned =
ones,
drying the board and the ribs carefully to a MC as low as possible and =
then
gluing and clamping them =
together.</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN class=182452014-21122002>The "only" problem I still =
have: how
much crown should I give to the beams of my press: none, and arc of =
+/-18m for
the longest ones and +/-15 for the shortest ones, (like the ribs are
precrowned), + for having more crown at the =
end?
(How much should one have with a new board anyway?) Can =
somebody me
tell that please? I only know that the uncrowned beams of my =
press give
about one cm of crown when I'm blowing the hoses.
</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002></SPAN></FONT></FONT></FONT></FONT> </DIV=
>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002></SPAN></FONT></FONT></FONT></FONT> </DIV=
>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN class=182452014-21122002>I also want to thank all of =
you who have
discussed this item. Do not think I feel blamed but it was hard =
at some
points. I have learned my lesson and made my conclusions =
that you
can read above. But I think this was the money I have to pay =
for.
And after all, in doing 15 years of restoration of piano's, I have =
only to
restart 2 times a job. I think that's not bad. And also, =
making
soundboards, I love it more and =
more.</SPAN></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002></SPAN></FONT></FONT></FONT></FONT> </DIV=
>
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002>Peter</SPAN></FONT></FONT></FONT></FONT></DIV>=
<DIV><FONT lang=0 style="BACKGROUND-COLOR: #ffffff" face="Times =
New Roman"
color=#000000 size=3 FAMILY="SERIF"><FONT face=Arial><FONT =
color=#0000ff><FONT
size=2><SPAN
=
class=182452014-21122002> </SPAN></FONT></FONT></FONT><BR></DIV></=
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