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<BODY bgColor=#ffffff>I remember a theatre piece here in San=
Francisco where we tuned one piano 1/4 step flat to the other=
piano/musicians. When evil came on stage that piano=
would play and it was very strange...<BR><BR>David=
Ilvedson<BR><BR><BR><BR><BR>
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Original message<BR>From: Michael Gamble=
<MICHAEL@GAMBLES.FSNET.CO.UK><BR>To: Terry=
<TERRY@FARRELLPIANO.COM><BR>Received: Sun, 20 Feb 2005 14:18:42=
-0000<BR>Subject: A=430 - Why? (answered)<BR><BR>
<DIV align=left><FONT face=Arial size=2>Hello Terry Farrell and=
Listers</FONT></DIV>
<DIV><FONT face=Arial size=2>A=430 is the ruling pitch for Mozart=
at Glyndebourne. The orchestra is the OAE who use early period=
instruments in the Pit. They also can play at A=415 - given=
their other instruments. The LPO are at A=440.</FONT></DIV>
<DIV><FONT face=Arial size=2>Ever listen to a radio=
station playing an orchestra at A=430 and then the=
radio switches (back-to-back) to a piece at A=440? I have - and=
it's horrid.</FONT></DIV>
<DIV><FONT face=Arial size=2>Regards</FONT></DIV>
<DIV><FONT face=Arial size=2>Michael G.(UK)</FONT></DIV>
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